Nude Francesca, 1972-1980

Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled (Nude), 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski’s

Francesca in color

Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman - Untitled, New York, 1979 [FW748] Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW748] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW750] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW749] | Victoria Miro Gallery – Venice 2020

Francesca’s nude self-portraits

Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1975-1978. Christen Sveaas’ Kunststiftelse. | Private Eyes @ Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | src Sotheby’s
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby's
Francesca Woodman ~ Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby’s

Francesca and the birch-tree

Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. (detail) | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. (detail) | Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Self-portrait, birch sleeves. Silver print. | Swann Galleries
Francesca Woodman (1958-1981) :: Self-portrait, birch sleeves. Silver print. | Swann Galleries
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | src Christie’s
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | The New Yorker
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Tate Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery

Joan of Arc by Jan Toorop

Jan Toorop [Dutch, 1858–1928] :: Jeanne d'Arc - Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern“
Jan Toorop [Dutch, 1858–1928] :: Jeanne d’Arc – Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern“

Signed recto, lower right, pen and black ink: “J. K. TOOROP”; dated, lower left, in pen and black ink: “1898”; inscribed recto, lower center, in graphite: “IEANNE D’ARC”

Imbued with the sinuous linear style of Toorop’s most celebrated works, this small drawing merges medieval subject matter with the graphic language of Symbolism. Cleverly situated within the voids of a capital letter E, Toorop’s title figure recalls the conventions of medieval manuscript illumination. Indeed, like many of Toorop’s drawings, this work was likely intended for inclusion in a book. The swirling parallel lines in the saint’s hair and the intensity of her downcast posture assert the sympathetic interpretation Toorop offered of this warrior saint, whose canonization was not finalized until 1920. [AIC]

Red poppies against blue wall

Papavers tegen blauw bespannen wand, ca. 1910 by Jan Zeegers. Collectie Jan Zeegers. [detail]
Jan Zeegers :: Groene vaas met papavers tegen blauw bespannen wand | Green vase with poppies against a wall covered in blue fabric, ca. 1910. Autochrome. | src Stadsarchief Amsterdam
Jan Zeegers :: Groene vaas met papavers tegen blauw bespannen wand | Green vase with poppies against a wall covered in blue fabric, ca. 1910. Autochrome. | src Stadsarchief Amsterdam