Irina Khrabroff by Sipprell

Clara E. Sipprell (1885-1975) :: Irena [Irina] Khrabroff Sewing, 1920. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: [Irina Khrabroff], ca. 1925 – 1933. Gelatin silver print on tissue. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Irena [Irina] Khrabroff in Russian Costume, 1925. Gelatin silver print. | src Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: Irina Khrabroff, ca. 1930s. Gelatin silver print. | src Amon Carter Museum of American Art

Sipprell was born on Halloween, 1885, in Tillsonburg, Ontario, Canada. In 1895 (after her father’s death), she and her mother moved from Canada to Buffalo. In the early 1900s, Buffalo was a center of the pictorialism. Sipprell became one of the foremost practitioners of pictorial photography in the United States. She produced autochromes and platinum, bromoil, gum, and carbon prints; won awards in exhibitions; and had her work published in magazines in the United States and Europe.

As a portrait photographer, Sipprell sought to convey a sense of the whole person and what made each unique. […] In 1915, Sipprell, then thirty, moved to New York City with Jessica E. Beers, with whom she lived until 1923. She opened a photographic studio in Greenwich Village and eventually became a contract photographer for the Ethical Culture School, where Beers was a principal.

A Russian immigrant, Irina Khrabroff, was first her student and later her traveling companion, close friend, and business manager. As a student, Khrabroff spent her winters living with Sipprell and Beers in New York City. In 1923, when Khrabroff married, Beers moved out of the apartment, but Sipprell continued living there with Khrabroff and her husband until 1933.

[…] It is not clear whether or not Sipprell’s relationships were sexual or even romantic, yet their length and stability, and the evidence of the memorial marker, indicate an extraordinary level of commitment. [Quoted from lgbtq encyclopedia: Sipprell, Clara Estelle (1885-1975) by Tee A. Corinne]

Colette Baltzakis · Hands

sequence
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye

Still-lifes · Florence Henri

Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri, Still-life with Lemon and Pear ca. 1929 LL-91567
Florence Henri (1893-1982) :: Still-life with Lemon and Pear, ca. 1929. Gelatin silver print. | src Luminous Lint – LL/91567
Florence Henri, Abstract Composition, 1932 Swann Galleries LL-94330
Florence Henri (1893-1982) :: Abstract Composition, 1932. Gelatin silver print. | src Swann Galleries
Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri :: Nature Morte, 1931. Gelatin silver print. | src Holden Luntz Gallery
Florence Henri (1893-1982) :: Nature Morte, 1931. Gelatin silver print. | src Holden Luntz Gallery

Summer Days ca. 1895

William B. Post :: Summer days, ca. 1895. Photogravure. The Photographic Times: 1895: July-December | src Photoseed
William B. Post :: Summer days, ca. 1895. Photogravure. The Photographic Times: 1895: July-December | src Photoseed
William B. Post :: Summer days, ca. 1895. Platinum print. | src MIA
William B. Post :: Summer days, ca. 1895. Platinum print. | src MIA (Minneapolis Institute of Art)

Tiger family (1880s) Korean art

korean art 1880s wild life
Tiger Family. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art
Tiger Family. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art
Tiger Family [detail]. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art
Tiger Family [detail (top)]. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art
Tiger Family [detail]. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art
Tiger Family [detail]. Korea, Joseon dynasty, late 1880s. Hanging scroll; ink and color on paper. | src Cleveland Museum of Art

Pink carnation (1910s)

autochrome 1910s
Karl Struss (1886-1981) :: [Pink carnation - single bloom], ca. 1910-1917. Additive color screen plate. | src Amon Carter Museum P1983.24.19
Karl Struss (1886-1981) :: [Pink carnation – single bloom], ca. 1910-1917. Additive color screen plate. | src Amon Carter Museum P1983.24.19

Four ladies in white (1908)

Haeckel Archive, Haeckel Collection
Racecourse on Norderney island: four ladies in white dresses on the turf, 1908. Haeckel Collection. | src Getty Images
Otto Haeckel (1872-1945) and Georg Haeckel (1873-1942) :: Racecourse on Norderney island: four ladies in white dresses on the turf, 1908. Haeckel Collection. Ullstein Bild. | src Getty Images

Karl Struss’ seasons greetings

Karl Struss' seasons greetings
Christmas card (1915-1916). Karl Struss Papers Archive; Personal Correspondence. | src Amon Carter Museum of American Art
Seasons greetings card (1915-1916). Karl Struss Papers Archive; Personal Correspondence. | src Amon Carter Museum of American Art
Christmas card (1915-1916). Karl Struss Papers Archive; Personal Correspondence. | src Amon Carter Museum of American Art
Christmas / New Yaer card (1915-1916). Karl Struss Papers Archive; Personal Correspondence. | src Amon Carter Museum of American Art

Struss views of lake Como (1900s)

Karl Fischer Struss ,1910s
Karl Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals Project
Karl Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals Project
Karl Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals Project
Karl F. Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals Project
Karl Struss (1886-1981); Ducks, Lake Como; Photogravure; from Camera Work #38; Alfred Stieglitz; 1912; Amon Carter Museum of American Art; Fort Worth, TX;  P1983.40.6
Karl F. Struss (1886-1981) :: Ducks, Lake Como, 1909, printed 1912. Hand-pulled photogravure printed by Alfred Stieglitz. Published in Camera Work # 38 (1912) | src Amon Carter Museum
Karl F. Struss (1886–1981) :: Near Lake Como [Woman walking along a road], 1909. Platinum print. | src Museum of Fine Arts (MFA) Boston
Karl F. Struss (1886–1981) :: Near Lake Como [Woman walking along a road], 1909. Platinum print. | src Museum of Fine Arts (MFA) Boston
Karl Fischer Struss (1886-1981) :: On Lake Como, 1909; Platinum print. | src Amon Carter Museum of American Art
Karl Fischer Struss (1886-1981) :: On Lake Como, 1909. Platinum print. | src Amon Carter Museum of American Art