Les Nus de Gustave Gain, 1910

**Gustave Gain ::** Nu féminin assis, 1910. Autochrome. | Fonds de la famille Gain · Archives de la Manche

**Gustave Gain ::** Nu féminin avec un drapé, 1910. Autochrome. | Fonds de la famille Gain · Archives de la Manche

**Gustave Gain ::** Nu féminin assis, 1910 Autochrome. [detail]

**Gustave Gain ·** Nu féminin, 1910. Autochrome. | Fonds de la famille Gain · Archives de la Manche

Sur la plage par Frères Lumière

Frères Lumière :: Sur la plage. A daring photograph for its time of a woman in a see-through dress on a beach. France, 1907-1915. | src Alamy — Frères **Lumière** :: Sur la plage. A daring photograph for its time of a woman in a see-through dress on a beach. France, 1907-1915. | src Alamy

Lumière Brothers :: Untitled early Autochrome of a woman in a silk dress standing on rocks. France, 1907-1915. | src liveauctioneers — **Lumière Brothers ::** Untitled early Autochrome of a woman in a silk dress standing on rocks. France, 1907-1915. | src liveauctioneers

Learning to fly · Kids at War

A ‘taube’ is spotted; a French 75 is immediately put into battery while ‘Pépéte’, the aviator, prepares to give chase. Paris, 19 September 1915.

**Léon Gimpel (1873-1948) ::** The aviator ‘Pépéte’ has just shot down a ‘taube’ with his machine gun. Paris, 19 September 1915.

Léon Gimpel :: Boy playing in model airplane attached to a lamppost. France, 1915. Autochrome. | src Aktuallne Magazin — **Léon Gimpel (1873-1948) ::** Boy playing in model airplane attached to a lamppost. France, 1915. Autochrome. | src SFP
L’aviateir «Pépete» vient d’abattre un «Taube» à coups de mitralleuse. Paris, 19 septembre 1915.

In 1915 Gimpel befriended a group of children from the Grenata Street neighborhood in Paris who had established their own “army”. He began to visit them regularly on Sundays, helping them to build their arsenal from whatever was to hand, providing direction in “casting”, and recording with his camera the army’s triumphs over the evil enemy, the Boche.

Gimpel was charmed by these children and came to know each of them well: the “chief”, the eldest in the garrison; his friend, who was conscripted to play the unenviable role of the Boche; and Pépète, who was “small, slightly misshaped, rather scrofulous, looking somewhat like a gnome” but who nonetheless played the part of an ace aviator. At the end of each session, Gimpel would reward the troops with barley sugar, causing all to shout with one voice, “Long live the photograph!”

quoted from Luminous-Lint online exhibition : Autochromes and Autochromists of WWI

Léon Gimpel (1873-1948)
The famous aviator ‘Pépéte’ triumphs in front of his victim. Paris, 19 September 1915. Autochrome | src SFP — Léon Gimpel (1873-1948) · The famous aviator ‘Pépéte’ triumphs in front of his victim. Paris, 19 September 1915. Autochrome | src SFP

From : La guerre de gosses, Léon GIMPEL, Paris, 1915

More images at Images en ligne de la Société française de photographie (SFP)

A Garden of Dreams by Keiley

Joseph T. Keiley (American, 1869–1914) :: A Garden of Dreams, 1899, glycerine and platinum print. | src Buffalo AKG Art Museum — **Joseph T. Keiley** (American, 1869–1914) :: A Garden of Dreams, 1899, glycerine and platinum print. | src Buffalo AKG Art Museum

**Joseph T. Keiley** (American, 1869–1914) :: A Garden of Dreams, 1907. Halftone. From Camera Work | src Philadelphia Museum of Art

Joseph T. Keiley (American, 1869–1914) A Garden of Dreams, 1907. Halftone. Philadelphia Museum — **Joseph T. Keiley** (1869–1914) :: A Garden of Dreams, 1907. Halftone. From the journal Camera Work | src Philadelphia Museum of Art

Doña Juana (1928)

In Erwartung des Geliebten In anticipation of the beloved UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928 — In anticipation of the beloved [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927

In Erwartung des Geliebten UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928 — In Erwartung des Geliebten / In anticipation of the loved one [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927

Elisabeth Bergner als Spanierin UHU 4.1927-28, H.3 Elisabeth Bergner als Spanierin — Elisabeth Bergner als Spanierin [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927

All images from UHU Magazin: Mit Elisabeth Bergner in Spanien by Paul Czinner, a detailed review of Béla Balázs film Doña Juana, starring Elisabeth Bergner. Aufnahmen: Poetic-Film (phot. Ewald)

Bihō Takahashi · Bat in Moon

**Biho Takashi** (active ca. 1890-1930) :: Bat in Moon, ca. 1905. Color woodblock print on paper | src Brooklyn Museum

**Biho Takashi** (active ca. 1890-1930) :: Bat in Moon / Bat against full Moon, woodblock print in colours and ink, ca. 1905. | Bukowskis

Bihō Takahashi / Nomura Yoshikuni 野村美邦 / Hirose Yoshikuni
Sealed: Yoshikuni (美邦). Signed: Yoshikuni (美邦). / Meiji Period

**Bihō Takahashi** :: Bat in Moon / Bat against full Moon, woodblock print in colours and ink, ca. 1905. [DETAIL] | src Bukowskis

4 women asleep and a giantess

**Roland Penrose ::** Four Women Asleep (Lee Miller, Adrienne Fidelin, Nusch Eluard, and Leonora Carrington), Lambe Creek, Cornwall, 1937. Print from color reversal film. © Roland Penrose Estate | src Lee Miller

Surrealist artist Mary Leonora Carrington was born at Westwood House (in Clayton Green, England) on the 6th of April in 1917; today she would have turned 106.

**Leonora Carrington ::** The Giantess (also, The Guardian of the Egg), 1947. Tempera on wood. Private collection of Miguel Escobedo

Lalaing female nudes, 1900-1914

Studie van een vrouwelijk naaktmodel, op de rug gezien, in het atelier van Jacques de Lalaing, voorstudie voor element voor een fontein in Musee des Beaux arts, Doornik en voor cirkelvormige fontein, Jacques Lalaing — Study of a nude female model, seen from the back, in the atelier of Jacques de Lalaing, preliminary study for element for a fountain in Musée des Beaux arts, Tournai (Doornik) and for circular fountain, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen print

Studie van een vrouwelijk naaktmodel, van voren gezien, in het atelier van Jacques de Lalaing, voorstudie voor element voor een fontein in Musee des Beaux arts, Doornik en voor cirkelvormige fontein, Jacques Lalaing — Study of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, preliminary study for element for a fountain in Musée des Beaux arts, Tournai (Doornik) and for circular fountain, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen print

Studie van een vrouwelijk naaktmodel, van opzij gezien, in het atelier van Jacques de Lalaing, voorstudie voor element voor een fontein in Musee des Beaux arts, Doornik en voor cirkelvormige fontein, Jacques Lalaing (1) — Study of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen print

All five images are part of a notebook with 108 Photographs of Models Owned by Jacques de Lalaing (1858-1917). Access to the whole notebook held at Rijksmusem, here: follow link >>> (RP-F-2001-4)