Villany · Danse d’Apis · 1910s

Text on image : Adoree Villany / The Dance of Apis / Villany / Danse d’Apis / 2619
Uncredited photographer on source. Blindstamp on right lower corner of the image reads: G.L. Arlaud.
Adoree Villany in the Dance of Apis, between ca. 1910-1915. Glass negative. Bain News Service | src Library of Congress

Steichen’s Delphiniums, late 1930s

Edward Steichen ~ Delphiniums, Ridgefield, Connecticut, 1939; printed 1940. Dye transfer photograph. | src NGV
Edward Steichen ~ Block of blue wave delphiniums at Steichen’s plant breeding farm, 1938 | NGV ~ National Gallery of Victoria
Edward Steichen (American, b. Luxembourg, 1879–1973) ~ Delphiniums, ca. 1940. Dye imbibition print. | Eastman museum

Edward Steichen: painter, photographer, modern art promoter, museum curator, exhibition creator—and delphinium breeder.

Yes, in addition to his groundbreaking career as a visual artist and museum professional, Steichen was also a renowned horticulturist. While he lived in France, the French Horticultural Society awarded him its gold medal in 1913, and he served as president of the American Delphinium Society from 1935 to 1939. In the early 1930s, after leaving his position as chief of photography for the Condé Nast publications—including Vogue and Vanity Fair—and more than 10 years before beginning his career as Director of the Department of Photography at MoMA, he retired to his Connecticut farm to raise flowers.

Among the delphinium breeds Steichen hybridized there were “Carl Sandburg,” named for his brother-in-law and close friend (and Nobel Prize–winning poet and author), and, in the 1960s, “Connecticut Yankees”…

In June 1936, MoMA presented its first and only dedicated flower show, Edward Steichen’s Delphiniums, which exhibited—for one week only—plants Steichen had raised and then trucked to the Museum’s galleries himself. (Read the original press release for the exhibition in MoMA’s online press archives.)

quoted from MoMA blog

Edward Steichen with delphiniums (ca. 1938), Umpawaug House (Redding, Connecticut). Photo by Dana Steichen. Gelatin silver print. Edward Steichen Archive, VII. The Museum of Modern Art Archives. | MoMA blog

Dana Steichen colour portraits

Edward Steichen ~ [Dana Steichen draped in shawl], ca. 1920. Cyanotype and palladium print. | src George Eastman museum
Edward Steichen ~ [Dana Steichen draped in shawl], ca. 1920. Cyanotype and palladium print. | src George Eastman museum
Edward Steichen ~ Dana Steichen Holding a Sunflower, ca. 1924. Cyanotype and palladium print. | src George Eastman Museum
Edward Steichen ~ [Dana Steichen draped in shawl], ca. 1920. Cyanotype and experimental process. | src George Eastman Museum

Dana Steichen by Steichen

Edward Steichen ~ Dana [Desboro Glover] Steichen holding an Apple ca. 1923. Dye imbibition print. | George Eastman Museum

After a quiet romance, Steichen married the actress Dana Desboro Glover in March 1923 in Blairstown, New Jersey, where Dana’s family owned a farm. From 1928 on they lived together on a large farm in West Redding, Connecticut where Steichen continued his extensive work in plant genetics, breeding award-winning delphiniums and other flowers. A strikingly modern glass home they built there continues to garner praise for its extraordinary siting and craftsmanship. Up until 1927, they also spent a part of each summer at Steichen’s home in Voulangis. Dana Steichen died in 1957 after thirty-four years of marriage. (quoted from E.S. Estate)

Edward Steichen
American, b. Luxembourg, 1879–1973
[Dana Steichen with apple]
ca. 1920
Cyanotype and palladium print
Edward Steichen (American, b. Luxembourg, 1879–1973)
Edward Steichen ~ [Dana Steichen with apple], ca. 1920. Cyanotype and palladium print. | George Eastman Museum

Puck der Waldgeist

PUCK der Waldgeist nennt diese junge fantasiebegabte Tänzerin diesen grotesken Tanz, ein paar Kastanien- blätter sind die Dekoration Foto: Illpho-Dillan 2. Das Kleine Magazin 1940 Band 16 Heft 34
PUCK the forest spirit is what this young, imaginative dancer calls this grotesque dance, a few chestnut leaves are the decoration Photo: Illpho-Dillan 2. Published in Das Kleine Magazin, 1940

Toodles by Alvin L. Coburn

Alvin L. Coburn (1882–1966) :: ‘Toodles (Elsie Thomas)’, ca. 1908. Gelatin silver print, printed in the 1980s | Ostlicht Auktion 2023

Coburn was given his first camera at the age of eight and was introduced to photography by his cousin Fred Holland Day. As early as 1902 he became a member of the New York Photo-Secession initiated by Alfred Stieglitz, and two years later his first pictures appeared in Stieglitz’s magazine “Camera Work”. A vintage print of this beautiful motif is hold at The Museum of Fine Arts, Houston (MFAH), there titled and dated. Coburn also made autochromes of the same model, showing the red colour of her kimono.

Alvin Langdon Coburn (1882–1966) :: ‘Toodles (Elsie Thomas)’, ca. 1908 | Ostlicht Auktion 2023
Alvin Langdon Coburn :: Elsie Thomas in an Eastern costume sitting on a hammock, ca.1908. Autochrome
Alvin Langdon Coburn :: Elsie Thomas in a red an Eastern costume with sunflower, ca.1908. Autochrome Lumière
Alvin Langdon Coburn :: Elsie Thomas (‘Toodles’) in an Eastern costume, ca.1908
Alvin Langdon Coburn :: Elsie Thomas wearing an Eastern costume, ca.1908

Dance study by Drtikol

Frantisek Drtikol (1883–1961) ~ Nude dance study, Prague, ca. 1919. Vintage silver print | src Ostlicht Photo Auction 2023
František Drtikol (1883–1961) ~ Nude dance study, Prague, ca. 1919 (detail) | src Ostlicht Photo Auction 2023

Blüten von Walter Möbius

Walter Möbius :: Birnenblüte bei Diesbar, um 1924 | src Deutsche Fotothek
Walter Möbius :: Echte Schlüsselblume (Primula veris), auch Himmelsschlüssel, im Weißeritztal, um 1924 | Deutsche Fotothek
Walter Möbius :: Birnenblüte, aufgenommen bei Cossebaude, um 1924 | Deutsche Fotothek
Walter Möbius :: Sumpfporst in Blüte (und Hände), um 1924 | src Deutsche Fotothek

Märzbecher von Walter Möbius

Walter Möbius :: Märzenbecher (Leucojum vernum) im Polenztal, Sächsische Schweiz, 1929 | src Deutsche Digitale Bibliothek
Walter Möbius :: Märzenbecher (Leucojum vernum) im Polenztal, Sächsische Schweiz, 1929 | src Deutsche Fotothek
Walter Möbius :: Frühlingsknotenblume (Leucojum vernum), auch Märzenbecher, Märzbecher, Märzglöckchen oder Großes Schneeglöckchen genannt, im Polenztal, um 1935 | src Deutsche Fotothek
Walter Möbius :: Frühlingsknotenblume (Leucojum vernum), auch Märzenbecher, Märzbecher, Märzglöckchen oder Großes Schneeglöckchen genannt, im Polenztal, um 1935 | src Deutsche Fotothek
Walter Möbius :: Märzenbecher (Leucojum vernum) im Polenztal, Sächsische Schweiz, 1929 | src Deutsche Fotothek