Leendert Blok (1895-1985) :: Tulips. Example of early color photography using the Autochrome process, circa 1930. Nationaal Archief: Collectie Spaarnestad. | src Het Parool
Karl Struss (1886-1981) :: Near San Luis Obispo, 1922. Platinum print signed, titled and dated in pencil. | src Christie’sKarl Fischer Struss :: San Luis Obispo, 1922. Gelatin dry-plate lantern slide. Phillips New York. | src Luminous Lint · LL-77714
George H. Seeley (1880 – 1955) :: Flowers in a Vase, ca. 1910, autochrome. | src Swann Galleries via Christie’sGeorge H. Seeley :: [untitled] undated Autochrome. Private collection of John Wood. LL/8978 | src Luminous Lint
Karl Struss :: Still Life with Pewter Vase, New York, circa 1910. Dye transfer print printed from Struss’ autochrome. | src Swann GalleriesKarl Struss (1886-1981) :: Still Life with Pewter Vase, New York, ca. 1910. Additive color screen plate. | src Amon Carter MuseumKarl Struss :: Still Life with Pewter Vase, New York, ca. 1910. Dye imbibition print from the original Autochrome, printed ca. 1981. | src Amon Carter Museum
Inscription on print verso:
signed c.: Karl Struss / numbered: 44
stamped: THIS IS SET #4 \ A DYE-TRANSFER PRINT PRODUCED \ FROM THE ORIGINAL AUTOCHROME \ IN AN EDITION OF 20.
Joyzelle Joyner as Ancaria in The Sign of the Cross (Cecil B. DeMille, 1932). Probably photographed by Karl Struss (credited as cinematographer) | src IMdB