Nöd + Tre dansöser , 1917

Uno Falkengren (1889 – 1965) :: Nöd | Famine, 1917. Sepiaplatinotyp monterat på kartong. | src Moderna Museet
Uno Falkengren (1889 – 1965) :: Tre dansöser, 1917 | Three dancers, 1917. Gelatin silver print. | src Moderna Museet

Portrait of Loïe Fuller by Falk

Benjamin Joseph Falk :: Full length portrait of Loie Fuller, for the portrait she was standing still while moving the fabric of her white costume during the exposure, she stood on top of a mirror and was brightly lit, 1896 (marked nº 12) | src The New York Public Library (NYPL) via Getty Images

Loie Fuller in ‘Serpentine’ dress

Portrait of Loie Fuller wearing an early version of her “Serpentine” dress. The photograph features a full length portrait of the dancer kneeling amidst a pile of cushions, with her arms upraised, and a small carved snake clasped in her right hand. Her skirt, which is decorated with repeated images of snakes, is raised up and spread out in a wide circle behind her, date unknown, late 1890s. | src V&A Museum

La Loïe Fuller (affiche), 1895

Georges de Feure :: Tous les soirs [..] La Loïe Fuller dans sa création nouvelle: Salomé. Lithograph in colors, 1895, printed by P. Lenénil (Asnières). Comédie Parisienne. | src BnF ~ Gallica

Loie Fuller par Henri Manuel

Henri Manuel (1874-1947) ~ Loïe Fuller in Robert d’Humières’ Tragédie de Salomé at the Théâtre des Arts, Paris, 1907 | src Ader
Henri Manuel (1874-1947) ~ Loïe Fuller (1862 – 1928) in attrezzo for the Tragedy of Salome, 1896 | src getty images

Loïe Fuller by B.J. Falk, 1896

Benjamin Joseph Falk :: Portrait of stage actress and dancer Loïe Fuller sitting barefoot atop a mirror, 1896 (marked nº 8). | src Washington University Libraries