Le Mystère d’Adam, 1929

detail
Claude Cahun – Marcel Moore :: Untitled [Claude Cahun in Le Mystère d’Adam (The Mystery of Adam)], 1929. © Estate of Claude Cahun. | src SF·MoMA
Claude Cahun :: Untitled [Claude Cahun as The Devil in Le Mystère d'Adam (The Mystery of Adam)], 1929.
Claude Cahun :: Untitled [Claude Cahun as The Devil in Le Mystère d’Adam (The Mystery of Adam)], 1929.
Claude Cahun - Marcel Moore :: Untitled [Claude Cahun in Le Mystère d'Adam (The Mystery of Adam)], 1929. © Estate of Claude Cahun. | src SF·MoMA
Claude Cahun – Marcel Moore :: Untitled [Claude Cahun in Le Mystère d’Adam (The Mystery of Adam)], 1929. Detail. | src SF·MoMA

Raquel Meller, 1924

Photo G. L. Manuel Frères. Raquel Meller. La plus célèbre des chanteuses espagnoles a conquis la France et l'Europe par son art fait de simplicité, d'humanité et de grâce. Le Théâtre et Comœdia illustré, Avril 1924. | src BnF ~ Gallica
G. et L. Manuel Frères :: Raquel Meller. Le Théâtre et Comœdia illustré, Avril 1924 (detail)
Photo G. L. Manuel Frères. Raquel Meller. La plus célèbre des chanteuses espagnoles a conquis la France et l'Europe par son art fait de simplicité, d'humanité et de grâce. Le Théâtre et Comœdia illustré, Avril 1924. | src BnF ~ Gallica
Photo G. L. Manuel Frères. Raquel Meller. La plus célèbre des chanteuses espagnoles a conquis la France et l’Europe par son art fait de simplicité, d’humanité et de grâce. Le Théâtre et Comœdia illustré, Avril 1924. | src BnF ~ Gallica
Photo G. L. Manuel Frères. Raquel Meller. La grande vedette espagnole. Le Théâtre et Comœdia illustré, Avril 1924. | src BnF ~ Gallica
Photo G. L. Manuel Frères. Raquel Meller. La grande vedette espagnole. Le Théâtre et Comœdia illustré, Avril 1924. | src BnF ~ Gallica

The Tatler, February 1922

White Studio :: Hasoutra dancing orientally in “The Perfect Fool”. The Tatler, February 1922. | src internet archive
Dainty Dancers on Stage and Screen: Ula Sharon, Ernestine Myers and Dorothy Valerga. The Tatler, February 1922. | src internet archive
Vivienne Segal in “Little Miss Raffles”. The Tatler, February 1922. | src internet archive

Silhouette from back, ca. 1965

Sanne Sannes :: Silhouette of a Woman Wearing a Coat, Standing Behind a Wooden Fence, ca. 1964-1967. (description: Silhouette of a woman, dressed in a jacket, standing behind a wooden fence, lifting her long hair with both hands.) Part of the photobook: Dummy of Dagboek van een erotomaan (Dummy or Diary of an Erotomaniac) | src Rijksmuseum
Sanne Sannes :: Blurry image of a standing figure in a wide coat with arms raised, ca. 1964-1967. Part of the photobook: Dummy of Dagboek van een erotomaan (Dummy or Diary of an Erotomaniac) | src Rijksmuseum

Fieret’s studies of women

Gerard Fieret :: Nude torso [Naakt torso], The Hague, ca. 1965. | src Rijksmuseum
Gerard Fieret :: Sitting nude with headband and high heels, seen from behind. Two copyright stamps and a signature are part of the image. The photo is pasted in passe-partout [Naakt zittend met haarband en pumps, op de rug gezien. Twee copyright stempels en een groot signatuur maken deel uit van het beeld. De foto is in passe-partout geplakt.], 1960 – 1980. | src Rijksmuseum
Gerard Fieret :: Studies of Women [Studies van vrouwen], The Hague, ca. 1965. | src Rijksmuseum
Gerard Fieret was an eccentric poet, painter and photographer who lived in The Hague. Between 1965 and 1975 he took hundreds of photos, mainly studies of women. Later, Fieret wandered the streets, fed the pigeons each day and kept his work in the freezer. His prints are creased and the edges frayed, with the occasional trace of pigeon droppings. On each photo, he signed his name in felt-tip pen and also furnished them with copyright stamps.

Four Magnolia Flowers (x-ray)

Magnolia Branch with Four Flowers | Sprig with Four Magnolia Flowers, 1910-1925, x-ray photograph on Baryta paper. Anonymous. | src Rijksmuseum
Magnolia Branch with Four Flowers | Sprig with Four Magnolia Flowers, 1910-1925, x-ray photograph on Baryta paper. Anonymous. | src Rijksmuseum
Magnolia Branch with Four Flowers | Sprig with Four Magnolia Flowers, 1910-1925, x-ray photograph on Baryta paper. Anonymous. [Full size] | src Rijksmuseum