Marja Björnström-Ottelin, foto: Jan de Meyere. | src Dansmuseet • IGMarja Björnström-Ottelin, foto: okänd. | src Dansmuseet on IGMarja Björnström-Ottelin, foto: P. Delbo, Paris. | src Dansmuseet on IGMarja Björnström-Ottelin, foto: Jan de Meyere. | src Dansmuseet on IG
Alexander D. Grinberg :: Nude, 1920s. Gelatin silver print. Annotated and inscribed by the family of the photographer. Collection of Borodulin. | src Hermitage Fine ArtAlexander D. Grinberg :: Nude, 1920s. Gelatin silver print. Annotated and inscribed by the family of the photographer. Collection of Borodulin. | src Hermitage Fine Art
Kasyan Yaroslavich Goleizovsky’s avant-garde choreography of Prokofiev’s Visions fugitives, Nºs 10-11 (Ridicolosamente, Con vivacità) for his own company, the Moscow Chamber Ballet, in 1922. The configuration of the bodies is architectonic, like so much art of the time, and acrobatic. The avant-garde costume design was adapted to the new dispositions of the body. | src The Russian Art of Movement review
A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler: The Russian Art of Movement 1920-1930, page 211. | src Karl Toepfer
Poster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdBPoster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdB