Hannes Krock bei einem Auftritt als mimischer Tänzer (mimische Tänze u. Clownerien), Amsterdam ca. 1934. [Hannes Krock performing as a mimic dancer (mimic dances u. clowneries)] | src Jüdisches Museum Berlin
Nils Dardels fondskiss till Dårhuset av Svenska Baletten, 1920, foto: Torkel Edenborg. | Nils Dardel’s background sketch for Madhouse by the Swedish Ballet, 1920 • src Dansmuseet on IGDårhuset av Svenska Baletten, ca. 1920 | Madhouse (also, Nut-house) by the Swedish Ballet, ca. 1920 “Om ni inte gillar det kan ni dra åt helvete” | “If you do not like it, you can go to hell” – Ballets Suédois 1920–1925 • src Dansmuseet
Dancer Carina Ari with two colleagues from the Swedish Ballet in the spring sun in front of (or actually under) four of the Swedish Ballet’s huge posters. The photo was probably taken during the company’s first tour in Spain in 1921. In the background are several of the Swedish Ballet’s color posters, drawn by Pierre Mourgue, Orsi and Eldsten. • src Dansmuseet’s InstagramVarious posters for the Svenska Baletten (Ballets Suédois), ca. 1920. | src Dansmuseet
‘Cloudland’, Southport. 1875–76. Albumen prints, trimmed to a circular format, mounted on two album leaves, each mount titled and dated ‘Nov. 29. 1875 – Southport – Jan. 27. 1876’ in ink with a quotation: ‘Things that the angels work out for us daily & yet vary eternally’ [John Ruskin] src The Photographic Process
Heinz von Perckhammer :: “Edle Nacktheit in China”, Macao, ca. 1920; photogravure on Japan paper | src Collezione MolinarioHeinz von Perckhammer :: The Culture of the Nude in China. Berlin; Eigenbrodler Verlag, [1928] | src heritage auctionsHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition (cover) | src swordersHeinz von Perckhammer ~ From “Edle Nacktheit in China /The culture of the Nude in China”. Eigenbrodler Verlag [Berlin, 1928] Heinz von Perckhammer :: “The culture of the Nude in China”, Macao, ca. 1920; original photogravure on Japan paper | src Collezione Molinario
Heinz von Perckhammer was born in Merano, Austria-Hungary (now Italy) in 1895. During the First World War he served aboard the SMS Kaiserin Elisabeth during the Siege of Tsingtao and between 1917 and 1919 was held as a prisoner of war. It was during this time when he was held captive that his interest in photography began. He apparently remained in China for much of the 1920s, and took these soft-focused and stylized photographs of women from Macao brothels.
In the introduction to Edle Nacktheit in China he writes: ‘Pictures of nude women, setting aside the ugly caricatures of the “Spring pictures” of erotic scenes, simply do not exist in China. Therefore I believe, I have created something entirely new and of value.’ Edle Nacktheit in China was later banned by the Nazis as degenerate art (Entartete Kunst) and appeared on the Liste des schädlichen und unerwünschten Schrifttums [List of harmful and undesirable writing].
Heinz von Perckhammer ~ Nude from “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] Heliogravür | src Koller AuktionenHeinz von Perckhammer ~ Young nude girl. Rotogravure. From “Edle Nacktheit in China”, Berlin, 1928 | src DrouotHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition | src swordersHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition | src swordersEdle Nacktheit in China (1928); book with 32 original photographs by Heinz v. Perckhammer | src Abebooks
Edward Weston :: “Natacha Rambova”, 1916. Vintage platinum-palladium print, signed and dated by artist on the recto, provenance W. M. Hunt Collection. | src Collezione Molinario