![Giannina Censi in costume cambogiano di Mauro Camuzzi, [1930 - 1939] | src Mart · Fondo Giannina Censi
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano, 1998, p. 86](https://live.staticflickr.com/65535/52159794029_4c2941fd06_o.png)
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano, 1998, p. 86
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![Giannina Censi in costume cambogiano di Mauro Camuzzi, [1930 - 1939] | src Mart · Fondo Giannina Censi
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano, 1998, p. 86](https://live.staticflickr.com/65535/52159794029_4c2941fd06_o.png)


Pubblicata in: Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano: Electa; Museo di arte moderna e contemporanea di Trento e Rovereto, 1998, p. 24 (both photographs)












![Ballet dancer Katharine Cook striking a pose, Brisbane, Queensland, 1931. [detail]](https://live.staticflickr.com/65535/52168292158_60f7f3031a_o.jpg)









The Odor of Pomegranates is more than simply a portrait, the image represents Ben-Yusuf’s effort to use photography to explore a larger theme: in this case, the seductiveness and potential danger of something desirous.
Ben-Yusuf’s artistic explorations within the tradition of portraiture continued alongside her commercial work. One of the prints she felt was more successful was The Odor, a work that she exhibited on at least half a dozen occasions in the years immediately after its completion in 1899. No other photograph by her was displayed or reproduced as often. This…
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![Giannina Censi all'aria aperta, Plan Maison a 3200 m., 30 luglio 1938 di [Guido Tovo] (1) | src and © Mart ~ Fondo Giannina Censi](https://live.staticflickr.com/65535/52160045230_13b1f96d9f_o.png)
![Giannina Censi all'aria aperta, Plan Maison a 3200 m., 30 luglio 1938 di [Guido Tovo]. In verso nota ms. "Dal Plan Maison 3200 metri, luglio 1938" (2)](https://live.staticflickr.com/65535/52159793959_4e87e900f0_o.png)

(1) e (2) Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano: Electa; Museo di arte moderna e contemporanea di Trento e Rovereto, 1998, pp. 50-51
(1) e (3) Pubblicata in Belli G. (a cura di), Sprachen des Futurismus, Berlin: Berliner Festspiele- Martin Gropius Bau, 2009, p. 243
(3) Pubblicata in Bonfanti E., Il corpo intelligente. Torino: il segnalibro, 1995, p. 51