Sadayakko – Sada Yacco

Sadayakko or Sada Yacco as Orieko (Ophelia), 1903 | src wikimedia commons
Sadayakko or Sada Yacco (1871-1946) as Orieko or Orié (Ophelia) in Hamlet, 1903 | src wikimedia commons

Sadayakko (貞奴), also Sada Yacco, was the stage name of the first Japanese actress and dancer, derived from a combination of her real name, Sada Koyama, and her geisha name, Yakko.

Sada Yacco dans le rôle d'Oriye, l'Ophélie japonaise: scène de la folie. | src Flickr
Sada Yacco dans le rôle d’Oriye, l’Ophélie japonaise: scène de la folie. | src Flickr
Sada Yacco, 1902. © Futaba Museum 二葉館 | src futabakan.jp
Sada Yacco, 1902. © Futaba Museum [ 二葉館 ], former residence of Sadayakko Kawakami. | src futabakan.jp

Women’s portraits by Sipprell

Clara E. Sipprell (1885-1975) :: [Woman in profile], 1930-1960. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in profile], 1930-1960. Amon Carter Museum of American Art
Clara Sipprell (1885-1975); Dorothea Perkins; ca. 1940's - 1950's; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.260
Clara E. Sipprell (1885-1975) :: Dorothea Perkins; ca. 1940s-1950s. Gelatin silver print. Amon Carter Museum of American Art
Clara Sipprell (1885-1975); Dorothea Perkins; ca. 1940's - 1950's; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.260
Clara E. Sipprell (1885-1975) :: Dorothea Perkins; ca. 1940s-1950s. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in ruffled blouse],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in ruffled blouse], ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in long scarf],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in long scarf], ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman by window],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum
Clara E. Sipprell (1885-1975) :: [Woman by window], ca. 1930-1960. Gelatin silver print. Amon Carter Museum

Model in Classical Costume

Louis Fleckenstein :: [Model in Classical Costume],1907-1915. | src The J. Paul Getty Museum
Louis Fleckenstein :: [Model in Classical Costume], 1907-1915. | src The J. Paul Getty Museum
Louis Fleckenstein :: [Model in Classical Costume],1907-1915. | src The J. Paul Getty Museum
Louis Fleckenstein :: [Model in Classical Costume], 1907-1915. | src The J. Paul Getty Museum
Louis Fleckenstein :: Model in Classical Costume, 1907-1915. Hand-colored gelatin silver print. | src The J. Paul Getty Museum
Louis Fleckenstein :: Model in Classical Costume, 1907-1915. Hand-colored gelatin silver print. | src The J. Paul Getty Museum

Laura Gilpin, some Autochromes

Laura Gilpin (1891-1979) :: [Woman wearing pink roses on her hat and dress], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) :: [Woman wearing pink roses on her hat and dress], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) :: [Woman in black and white striped skirt seated in chair], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) :: [Woman in black and white striped skirt seated in chair], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) :: [Hollyhocks], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) :: [Hollyhocks], ca. 1910s. Autochrome. Amon Carter Museum
Laura Gilpin (1891-1979) [Grand Canyon], 1916. Autochrome Amon Carter Museum
Laura Gilpin (1891-1979) :: [Grand Canyon], 1916. Autochrome. Amon Carter Museum

Clara Sipprell · self-portraits

Clara Sipprell (1885-1975) ~ [Clara in a derby], ca. 1910. Additive color screen plate. | Amon Carter Museum P1984.1.698
Clara E. Sipprell (1885-1975) :: [Clara with a rose]; ca. 1910. Additive color screen plate (Autochrome). Amon Carter Museum
Clara Sipprell (1885-1975) ~ [Clara with a rose]; ca. 1910. Additive color screen plate (Autochrome). | Amon Carter Museum
Clara Sipprell (1885-1975) ~ [Clara in hat and fur coat], ca. 1910 , ca. 1910. Autochrome. | Amon Carter Museum P1984.1.696
Clara Sipprell (1885-1975) ~ [Clara in middy blouse leaning against tree], ca. 1910. Additive color screen plate. | Amon Carter Museum
Clara Sipprell (1885-1975) ~ [Clara in middy blouse leaning against tree], ca. 1910. Autochrome. | Amon Carter Museum P1984.1.697

Women in Turkish costume

Clara Sipprell (1885-1975) :: [Woman in Turkish costume], ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: [Woman in Turkish costume], 1924. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Two women in Turkish dress drinking coffee], 1924. Amon Carter Museum
Clara E. Sipprell (1885-1975) :: [Two women in Turkish dress drinking coffee], 1924. Amon Carter Museum

Elsa by Leopoldo Pomés

Leopoldo Pomés :: Elsa, 1971. From: 'Diaries' Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. From: ‘Diaries’ Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. Arxiu L. Pomés. | src Arles 2022 @ ODLP
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania

Rambova by Struss, 1920s

Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum of American Art
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still]; Gelatin silver print. | src Amon Carter Museum
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum

[*] production stills probably from the film Forbidden Fruit (Cecil B. DeMille, 1921). In the film Rambova (b. Winifred Shaughnessy), along with Mitchell Leisen, was the costume designer and Struss the cinematographer.

Zitkala-Sa with violin, ca. 1898

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala-Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala-Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Gum bichromate print. | src National Museum of American History, Smithsonian Institution