
Selfie by Elina Brotherus

images that haunt us




![Francesca Woodman - Untitled, New York, 1979 [FW748] Victoria Miro Gallery](https://unregardoblique.com/wp-content/uploads/2022/09/francesca-woodman-untitled-new-york-1979-fw748-miro-ptt.jpg)


















Signed recto, lower right, pen and black ink: “J. K. TOOROP”; dated, lower left, in pen and black ink: “1898”; inscribed recto, lower center, in graphite: “IEANNE D’ARC”
Imbued with the sinuous linear style of Toorop’s most celebrated works, this small drawing merges medieval subject matter with the graphic language of Symbolism. Cleverly situated within the voids of a capital letter E, Toorop’s title figure recalls the conventions of medieval manuscript illumination. Indeed, like many of Toorop’s drawings, this work was likely intended for inclusion in a book. The swirling parallel lines in the saint’s hair and the intensity of her downcast posture assert the sympathetic interpretation Toorop offered of this warrior saint, whose canonization was not finalized until 1920. [AIC]

![Jan Zeegers :: Marie Zeegers [daughter of the photographer], 1912. Autochrome. | Nederlands Fotomuseum Rotterdam](https://unregardoblique.com/wp-content/uploads/2022/09/jan-zeegers-marie-zeegers-dochter-van-de-fotograaf-1912-c2a9-nerderlands-fotomuseum-rotterdam.jpg)
“This might be the first Dutch girl to have her picture taken in colour. The photographer, Jan Zeegers, was an Amsterdam textile merchant by trade, but this picture shows a definite eye for composition and colour – note the girl’s dress, the bow in her hair, and the cherries on the plate.” quoted from booklet of the exhibition guide: Gallery of Honour of Dutch Photography (June 2021)