A Woman. A Mirror…, 1975-76

Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76.
Francesca Woodman :: Untitled, Providence, Rhode Island. Series ‘A Woman. A Mirror. A Woman is a mirror for a man’, 1975-1976
Francesca Woodman :: Untitled, Providence, Rhode Island. Series ‘A Woman. A Mirror. A Woman is a mirror for a man’, 1975-1976
Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76. | src Sotheby's
Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76. | src Sotheby’s

Francesca in color

Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman - Untitled, New York, 1979 [FW748] Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW748] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW750] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW749] | Victoria Miro Gallery – Venice 2020

Francesca’s nude self-portraits

Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1975-1978. Christen Sveaas’ Kunststiftelse. | Private Eyes @ Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | src Sotheby’s
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby's
Francesca Woodman ~ Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby’s

Francesca and the birch-tree

Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. (detail) | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. (detail) | Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Self-portrait, birch sleeves. Silver print. | Swann Galleries
Francesca Woodman (1958-1981) :: Self-portrait, birch sleeves. Silver print. | Swann Galleries
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | src Christie’s
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | The New Yorker
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Tate Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery
Francesca Woodman :: Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. | Victoria Miro Gallery

Joan of Arc by Jan Toorop

Jan Toorop [Dutch, 1858–1928] :: Jeanne d'Arc - Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern“
Jan Toorop [Dutch, 1858–1928] :: Jeanne d’Arc – Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern“

Signed recto, lower right, pen and black ink: “J. K. TOOROP”; dated, lower left, in pen and black ink: “1898”; inscribed recto, lower center, in graphite: “IEANNE D’ARC”

Imbued with the sinuous linear style of Toorop’s most celebrated works, this small drawing merges medieval subject matter with the graphic language of Symbolism. Cleverly situated within the voids of a capital letter E, Toorop’s title figure recalls the conventions of medieval manuscript illumination. Indeed, like many of Toorop’s drawings, this work was likely intended for inclusion in a book. The swirling parallel lines in the saint’s hair and the intensity of her downcast posture assert the sympathetic interpretation Toorop offered of this warrior saint, whose canonization was not finalized until 1920. [AIC]

Jan Zeegers’ daughter, 1912

Jan Zeegers :: Marie Zeegers [daughter of the photographer], 1912. Autochrome. | Nederlands Fotomuseum Rotterdam
Jan Zeegers :: Marie Zeegers [dochter van de fotograaf], 1912. Autochrome. | Nederlands Fotomuseum Rotterdam

“This might be the first Dutch girl to have her picture taken in colour. The photographer, Jan Zeegers, was an Amsterdam textile merchant by trade, but this picture shows a definite eye for composition and colour – note the girl’s dress, the bow in her hair, and the cherries on the plate.” quoted from booklet of the exhibition guide: Gallery of Honour of Dutch Photography (June 2021)