Russian Autochromes (1910s)

detail
Piotr Ivanovich Vedenisov :: Vera Kozakov in Folk Dress, 1914. Autochrome. | src FOAM & MAMM
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Kozakova in Folk Dress, 1914. Autochrome. | src FOAM & MAMM
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Kozakova in Folk Dress, 1914. Autochrome. | src MAMM
Piotr Ivanovich Vedenisov :: Vera Kozakov, 1914. Autochrome. | src MAMM
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Kozakova, ca. 1914. Autochrome. | src MAMM
Piotr Vedenisov :: Kolya Kozakov and the Dog Gipsy, Yalta, 1910-1911. © Multimedia Art Museum, Moscow | src MAMM
Piotr Vedenisov :: Kolya Kozakov and the Dog, Gipsy, Yalta, 1910-1911. © Multimedia Art Museum, Moscow | src FOAM

Primrose · Russian Autochromes

Piotr I. Vedenisov (1866-1937) :: Flowers in a vase, 1910s. Autochrome. From: Primrose • Russian Colour Photography. | src MAMM
Piotr I. Vedenisov (1866-1937) :: Flowers in a vase, 1910s. Autochrome. From: Primrose • Russian Colour Photography. | src MAMM
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova, ca. 1910. Autochrome.
Piotr Ivanovich Vedenisov (1866-1937) :: Portrait of Vera Nikolaevna Vedenisova, ca. 1910. Autochrome.
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova in oriental folk dress, 1909-1914. Autochrome. | src FOAM and NKFU
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova in oriental folk dress, 1909-1914. Autochrome. | src FOAM and NKFU
Piotr I. Vedenisov (Russian, 1866-1937) :: Uknown woman, Crimea, Yalta, ca. 1914. Autochrome. / NKFU
Piotr I. Vedenisov (Russian, 1866-1937) :: Uknown woman, Crimea, Yalta, ca. 1914. Autochrome. | src NKFU

Irina Khrabroff by Sipprell

Clara E. Sipprell (1885-1975) :: Irena [Irina] Khrabroff Sewing, 1920. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: [Irina Khrabroff], ca. 1925 – 1933. Gelatin silver print on tissue. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Irena [Irina] Khrabroff in Russian Costume, 1925. Gelatin silver print. | src Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: Irina Khrabroff, ca. 1930s. Gelatin silver print. | src Amon Carter Museum of American Art

Sipprell was born on Halloween, 1885, in Tillsonburg, Ontario, Canada. In 1895 (after her father’s death), she and her mother moved from Canada to Buffalo. In the early 1900s, Buffalo was a center of the pictorialism. Sipprell became one of the foremost practitioners of pictorial photography in the United States. She produced autochromes and platinum, bromoil, gum, and carbon prints; won awards in exhibitions; and had her work published in magazines in the United States and Europe.

As a portrait photographer, Sipprell sought to convey a sense of the whole person and what made each unique. […] In 1915, Sipprell, then thirty, moved to New York City with Jessica E. Beers, with whom she lived until 1923. She opened a photographic studio in Greenwich Village and eventually became a contract photographer for the Ethical Culture School, where Beers was a principal.

A Russian immigrant, Irina Khrabroff, was first her student and later her traveling companion, close friend, and business manager. As a student, Khrabroff spent her winters living with Sipprell and Beers in New York City. In 1923, when Khrabroff married, Beers moved out of the apartment, but Sipprell continued living there with Khrabroff and her husband until 1933.

[…] It is not clear whether or not Sipprell’s relationships were sexual or even romantic, yet their length and stability, and the evidence of the memorial marker, indicate an extraordinary level of commitment. [Quoted from lgbtq encyclopedia: Sipprell, Clara Estelle (1885-1975) by Tee A. Corinne]

Cahun · selfportraits with cat

selfportrait with cat, lucy schwob, marcel moore
Claude Cahun & Marcel Moore :: Lucie and kid, Nantes, vers 1926. Tirage argentique. | src Christie's
Claude Cahun & Marcel Moore :: Lucie and Kid, Nantes, vers 1926. Tirage argentique. | src Christie’s, also MAM

“Lucy and Kid”. Nantes, ca.1926. Original silver print. This piece seems to close the series of “self-portraits with a glass globe” (1926), which initiates complex manipulations, technical processes that Claude Cahun (along with Marcel Moore) will later use for photomontages (1929-1939). Note the disturbing position of the suspended cat, held above the void against a background reminiscent of the decor of an expressionist film.

Claude Cahun & Marcel Moore :: Autoportrait au Chat, ca. 1927. Tirage argentique sépia. | src Musée d'art de Nantes
Claude Cahun & Marcel Moore :: Autoportrait au Chat, ca. 1927. Tirage argentique sépia. | src Musée d’art de Nantes

Claude Cahun Cat 1925-1940

Claude Cahun (Lucy Schwob) :: Chat à la vasque, 1925 - 1930. Vintage silver print on Velox paper. | src Sotheby's
Claude Cahun (Lucy Schwob) :: Chat à la vasque, 1925 – 1930. Vintage silver print on Velox paper. | src Sotheby’s
Claude Cahun (Lucy Schwob) :: Chat à la cloche, 1925 - 1930. Vintage silver print on Velox paper. | src Sotheby's
Claude Cahun (Lucy Schwob) :: Chat à la cloche, 1925 – 1930. Vintage silver print on Velox paper. | src Sotheby’s
Claude Cahun (Lucy Schwob) :: La chambre du chat. Gelatin silver print signed, titled, and dated 1940 in ink on the reverse. | src Sotheby's
Claude Cahun (Lucy Schwob) :: La chambre du chat. Gelatin silver print signed, titled, and dated 1940 in ink on the reverse. | src Sotheby’s

Lily Steiner by André Steiner

aka Oeil de femme, eye of a woman (Lily Steiner) (?)
André Steiner :: Untitled, 1934. Vintage gelatin silver print. | src Gitterman Gallery
André Steiner :: Untitled, 1934. Vintage gelatin silver print. | src Gitterman Gallery
Andor Steiner :: Lily, Paris, 1928. Tirage argentique.
André Steiner [Andor Steiner] :: Lily, Paris, 1928. Tirage argentique. | src Binoche et Giquello
André Steiner :: Leica, Hongrie, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Leica, Hongrie, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Sans titre, Saint-Moritz, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Sans titre, Saint-Moritz, 1935. Tirage argentique. | src Binoche et Giquello

(self) portrait by André Steiner

André Steiner :: Contre-plongée, Roscoff, 1933
tirage argentique
André Steiner :: Contre-plongée, Roscoff, 1933; tirage argentique. | Ce qu’on n’a pas fini d’aimer @ Musée Nicéphore Niépce
André Steiner [Andor Steiner] :: Sans titre, Roscoff, 1933. Tirage argentique.
André Steiner [Andor Steiner] :: Sans titre, Roscoff, 1933. Tirage argentique. | src Binoche et Giquello