Arnold Genthe :: Miss Dulcie Moore, portrait photograph, between 1916-1918. Glass negative. | src Library of CongressArnold Genthe :: Miss Dulcie Moore, portrait photograph, between 1916-1918. Glass negative. | src Library of Congress
Harry Täuber :: Anita Berber, 1920s. From: Anita Berber und Sebastian Droste :: ‘Die Tänze des Lasters, des Grauens und der Ekstase’ (Dances of Vice, Horror & Ecstasy), Gloriette-Verlag, Vienna, 1923. This compendium of texts, poems, drawings and photographs is a rare contemporary document of the ‘decadent’ twenties. The book outlines a dance performance entitled ‘Die Tänze des Lasters, des Grauens und der Ekstase’ (Dances of Vice, Horror & Ecstasy) that Anita Berber performed with her husband Sebastian Droste (real name Willy Knobloch). The performances took place at the Vienna Konzerthaus in 1922. The illustrated section of the book consists of photographs of the authors by Viennese Atelier d’Ora (Dora Kallmus & Arthur Benda), drawings by Anita Berber and illustrations by Harry Täuber. | src 16th Ostlicht Photo Auction
N. N. Simanovskij :: Ilja Repin maalaamassa teostaan Seuraa minua, saatana, valokuvaaja kuvausaika: noin 1901. | Ilya Repin painting Get Thee Behind Me, Satan; ca. 1901. | src Finnish National Gallery (Kansalligalleria)
Rudolf Krziwanek :: Rollenporträt. Anne Branché als “Bet-ti-bo” in Der Mikado oder Ein Tag in Titipu, um 1890. Rudolf Krziwanek :: Role portrait. Anne Branché as “Bet-ti-bo” in The Mikado or A Day in Titipu, ca. 1890. src Theatermuseum Wien