Thaw, 1906 by Anne Brigman

Anne W. Brigman :: Thaw, 1906. Gelatin silver print. | src Met Museum and Eastman Museum

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Finis, 1912 by Anne Brigman

Anne W. Brigman :: ‘Finis’, 1912. Photogravure. From Camera Work No. 38. | src KQED Arts and Artnet

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Trees, San Francisco, ca. 1925

William E. Dassonville :: Trees, San Francisco, ca. 1925, vintage silver print on “Dassonville Charcoal Black” paper. | src California Landscape Exhibition at Lee Gallery

The Tree Frog, ca. 1910 by Anne Brigman

Anne W. Brigman :: The Tree Frog, ca. 1910, silver print. | src California Landscape Exhibition at Lee Gallery

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The Bubble, 1909

Anne W. Brigman :: The Bubble. Published in Camera Work Nº 25, 1909. | src Toledo Museum of Modern Art via NY Times blog
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Nude [Miss Thompson], 1907

Clarence Hudson White :: Untitled [Miss Thompson], 1907. Platinum print. | src Princeton University Art Museum
Clarence Hudson White :: Untitled [Miss Thompson], 1907. Platinum print. | src Flickr [click here to enlarge]

Nesbit by Käsebier: 5 renditions

Gertrude Käsebier :: Portrait of Evelyn Nesbit (Miss N.). Published in Camera Work, Nº 1, 1903. Portrait of Evelyn Nesbit [three-quarter length portrait, seated, wearing an off-the-shoulder dress], 1902. The Toledo Museum of Art | src NYTimes Lens Journal
Gertrude Käsebier :: Portrait (Miss N.). Published in Camera Work, Nº 1, 1903. Portrait of Evelyn Nesbit [three-quarter length portrait, seated, wearing an off-the-shoulder dress], 1902. © The Toledo Museum of Art | src NYTimes Lens Journal
Gertrude Käsebier (1852-1934) :: [Evelyn Nesbit about 1900 at a time when she was brought to the studio by Stanford White] Evelyn Nesbit, three-quarter length portrait, seated, wearing an off-the-shoulder dress. Glass negative. | src Library of Congress
Gertrude Käsebier (1852-1934) :: [Evelyn Nesbit about 1900 at a time when she was brought to the studio by Stanford White] Evelyn Nesbit, three-quarter length portrait, seated, wearing an off-the-shoulder dress. Glass negative. | src Library of Congress
Gertrude Käsebier (1852–1934) :: Evelyn Nesbit, 1902 [Carbon print?]. | src Princeton University Art Museum
Gertrude Käsebier (1852–1934) :: Evelyn Nesbit, 1902 [Carbon print?]. | src Princeton University Art Museum
Gertrude Käsebier  :: Portrait (Miss N.). Camera Work nº 1, January 1903. Photogravure. | src Brown University
Gertrude Käsebier :: Portrait (Miss N.). Camera Work nº 1, January 1903. Photogravure. | src Brown University
Gertrude Käsebier [Des Moines, Iowa, USA, 1852 - New York, USA, 1934] :: Portrait (Miss N.). From: Camera Work No. 1, January 1903. Date: 1898 (circa) / Printed circa 1903. Technique: Photogravure on Japanese paper. | src Museo de Arte Reina Sofía
Gertrude Käsebier [Des Moines, Iowa, USA, 1852 – New York, USA, 1934] :: Portrait (Miss N.). From: Camera Work No. 1, January 1903. Date: 1898 (circa) / Printed circa 1903. Technique: Photogravure on Japanese paper. | src Museo de Arte Reina Sofía

The Readers by C.H. White

Clarence H. White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail)
Clarence Hudson White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail)
Clarence H. White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail) | src Library of Congress
Clarence Hudson White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. | src Library of Congress
Clarence Hudson White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. | src Library of Congress

C.H. White portraits (1900s)

Clarence Hudson White :: Mrs. Fox (Kate Parsenau), New York, 1910. Platinum print. | src Library of Congress
better resolution: image below
Clarence H. White :: Kate (Parsenau) Fox, head-and-shoulders portrait, facing left, 1910. Platinum print. | src: Library of Congress
Clarence H. White :: Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum
Clarence H. White :: Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum

In his first years as a photographer, White concentrated on genre subjects like this one, often using young women as his models. Throughout his career, he continued to photograph women, from his mother and members of his wife’s family to well-known actresses of the day, such as Maude Adams. White attempted to imbue women with notions of truth and beauty, a view not uncommon among the photographers known as Pictorialists, who considered the female subject to be the most artistic and spiritual choice in the history of art. Photographs like this one allowed White to experiment with dramatic lighting while simultaneously relating photography to a long tradition of painting, through his use of a female model. [source of text]

Clarence H. White :: Woman on rocks, Caritas Islands, Connecticut, 1909. Platinum print. | src Princeton Univ. Art museum
Clarence H. White :: Woman on rocks, Caritas Islands, Connecticut, 1909. Platinum print. | src Princeton Univ. Art museum