Zitkala-Sa with violin, ca. 1898

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala-Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala-Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Gum bichromate print. | src National Museum of American History, Smithsonian Institution

Censi in Cambodian costume

Giannina Censi in costume cambogiano di Mauro Camuzzi, [1930 - 1939] | src Mart · Fondo Giannina Censi
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano, 1998, p. 86
Giannina Censi in costume cambogiano di Mauro Camuzzi, [1930 – 1939] | src Mart · Fondo Giannina Censi
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano, 1998, p. 86

Giannina Censi by Camuzzi, 1930

Giannina Censi di Camuzzi, Mauro. Fotografie, 1930 | src Mart · Fondo Giannina Censi
Giannina Censi di Mauro Camuzzi. Fotografie, 1930. In verso nota ms. “Giannina Censi via Princ. Umberto 10. Milano (Italia) – Milano 1930” | src Mart · Fondo Giannina Censi
Giannina Censi di Mauro Camuzzi. Fotografie, 1930 | src Mart · Fondo Giannina Censi
Giannina Censi di Mauro Camuzzi. Fotografie, 1930 | src Mart · Fondo Giannina Censi

Pubblicata in: Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano: Electa; Museo di arte moderna e contemporanea di Trento e Rovereto, 1998, p. 24 (both photographs)

Lala Aufsbergs Aktstudien

Lala Aufsberg :: Nude studies. A nude young woman sitting by a mountain stream, 1939. | Deutsche Fotothek
Lala Aufsberg :: Aktstudien. An einem Gebirgsbach sitzender Mädchenakt, 1939. | src Deutsche Fotothek
Lala Aufsberg :: Nude studies. A nude young woman sitting by a mountain stream, 1939. | Deutsche Fotothek
Lala Aufsberg :: Nude studies. A nude young woman sitting by a mountain stream, 1939. | Deutsche Fotothek
Lala Aufsberg ::  Sitzender weiblicher Rückenakt an einem Gebirgsbach, einen Krug füllend, 1939. (Seated female nude, view from back by a mountain stream, filling a jug), 1939. Portfolio-Aufsberg-Akt. | src Deutsche Fotothek
Lala Aufsberg :: Sitzender weiblicher Rückenakt an einem Gebirgsbach, einen Krug füllend (Seated female nude, view from back by a mountain stream, filling a jug), 1939. Portfolio-Aufsberg-Akt. | src Deutsche Fotothek
Lala Aufsberg :: Frauenakt, an einem Gebirgsbach Wasser schöpfend, 1939. | Deutsche Fotothek
Lala Aufsberg :: Frauenakt, an einem Gebirgsbach Wasser schöpfend | Female nude scooping water from a mountain stream, 1939. | src Deutsche Fotothek

Carina Ari by Manuel Frères

G. et L. Manuel Frères :: Carina Ari i Kajsa och Britta, foto: G.L. Manuel Frères, Paris, 1925 | src Dansmuseet on IG
G. et L. Manuel Frères :: Carina Ari i Degas, Paris, 1925. | src Dansmuseet • IG
G. et L. Manuel Frères :: Carina Ari i Degas, Paris, 1925. | src Dansmuseet on IG

Nude in dunes by Shoji Otake

Shoji Otake :: Female nude in Sand Dunes, Japan, ca. 1948. Original Heliogravure / Photogravure | src eBay
Shoji Otake :: Female nude in sand dunes, Japan, ca. 1948. Original Heliogravure, Photogravure | src eBay

3 nudes by Lendvai-Dircksen

Erna Lendvai-Dircksen :: Finnin · Finnish · Finlandaise, um 1925. Photogravure. Editiert und gedruckt 1925 von der Gesellschaft zur Verbreitung klassischer Kunst, Berlin | src eBay
Erna Lendvai-Dircksen :: Finnin · Finnish · Finlandaise, um 1925. Photogravure. Editiert und gedruckt 1925 von der Gesellschaft zur Verbreitung klassischer Kunst, Berlin | src eBay
Erna Lendvai-Dircksen :: Polish nude, photogravure, ca. 1925. Printed and published in 1925. | src vintageads on eBay
Erna Lendvai-Dircksen :: Polish nude, photogravure, ca. 1925. Printed and published in 1925. | src vintageads on eBay
Erna Lendvai-Dircksen :: Polish nude, ca. 1925. Printed and edited in 1925. Vintage Photogravure from original Bromoil print | src eBay
Erna Lendvai-Dircksen :: Polish nude, ca. 1925. Printed and edited in 1925. Vintage Photogravure from original Bromoil print | src eBay
Erna Lendvai-Dircksen :: German nude, photogravure, ca. 1925. Printed and edited in 1925, Society for Classical art, Berlin | src artografie on eBay
Erna Lendvai-Dircksen :: German nude, photogravure, ca. 1925. Printed and edited in 1925, Society for Classical art, Berlin | src artografie on eBay

Ballet dancer by Deazeley studio

Ballet dancer Katharine Cook striking a pose, Brisbane, Queensland, 1931. [detail]
Ballet dancer Katharine Cook striking a pose, Brisbane, Queensland, 1931. [detail]
Ballet dancer Katharine Cook striking a pose, Brisbane, Queensland, 1931. photographic print : hand colored. Trissie Deazeley Studio (Brisbane). | src State Library of Queensland
Ballet dancer Katharine Cook striking a pose, Brisbane, Queensland, 1931. Photographic print : hand colored. Trissie Deazeley Studio (Brisbane). | src State Library of Queensland

Six nudes by Fritz Henle, 1950s

Fritz Henle* (Germany, 1909 – 1993) :: Female nude study, early 1950s. Vintage sheet fed photogravure / héliogravure. | src eBay
(*) German-born American photographer, known as “Mr. Rollei” for his use of the Rolleiflex camera.
Fritz Henle (Germany, 1909 - 1993) :: Female nude, ca. 1954. Vintage photogravure. | src liveauctioneers
Fritz Henle (Germany, 1909 – 1993) :: Female nude, ca. 1954. Vintage photogravure. | src liveauctioneers
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study at the beach, ca. 1951. Vintage sheet fed photogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study of legs, early 1950s. Vintage sheet fed photogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study lying down in the surf, early 1950s. Vintage sheet fed photogravure / héliogravure. | src eBay
Fritz Henle* (Germany, 1909 - 1993) :: Female nude study, ca. 1948 Vintage sheet fed photogravure / héliogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study, ca. 1948 Vintage sheet fed photogravure / héliogravure. | src eBay

The odor of pomegranates

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Zaida Ben-Yusuf :: The odor of pomegranates (detail), 1899. Platinum print.
Zaida Ben-Yusuf :: Detail from ‘The odor of pomegranates’, ca. 1900. | original src Library of Congress

Zaida Ben-Yusuf :: The odor of pomegranates, 1899. Platinum photographic print mounted on dark green paper. Description: Photograph shows a woman wearing a long flowing gown, standing in front of curtain, facing left, holding a pomegranate. | src Library of Congress
Zaida Ben-Yusuf :: The odor of pomegranates, 1899. Platinum photographic print mounted on dark green paper. Description: Photograph shows a woman wearing a long flowing gown, standing in front of curtain, facing left, holding a pomegranate. | src Library of Congress

The Odor of Pomegranates is more than simply a portrait, the image represents Ben-Yusuf’s effort to use photography to explore a larger theme: in this case, the seductiveness and potential danger of something desirous.

Ben-Yusuf’s artistic explorations within the tradition of portraiture continued alongside her commercial work. One of the prints she felt was more successful was The Odor, a work that she exhibited on at least half a dozen occasions in the years immediately after its completion in 1899. No other photograph by her was displayed or reproduced as often. This…

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