Category: photography, photographie, fotografia, fotografía, Fotografie

Blind children at Revere Beach

Perkins School for the Blind students in the water at Revere Beach on June 11th, 1928. bathers, beach scene
Perkins School for the Blind students in the water at Revere Beach on June 11th, 1928. | src Digital Commonwealth
Perkins School for the Blind students in the water at Revere Beach on June 11th, 1928. | src Digital Commonwealth
Perkins School for the Blind students having a picnic on Revere Beach on June11th, 1928. | src Digital Commonwealth
Perkins School for the Blind students having a picnic on Revere Beach on June11th, 1928. | src Digital Commonwealth

Plane landing accident, 1926

George R. Watson :: Pilot Chas. Widmen & Helpers Right after Plane Landing Accident, 1926. Vintage gelatin silver print. Signed in ink in the image. Titled and dated on typewritten label, mount verso. | src Klotz Gallery
George R. Watson :: Pilot Chas. Widmen & Helpers Right after Plane Landing Accident, 1926. Vintage gelatin silver print. Signed in ink in the image. Titled and dated on typewritten label, mount verso. | src Klotz Gallery

Mexico (1931) by Sipprell

Clara Sipprell (1885-1975); The Sea at Mazatlan, Mexico; ca. 1931; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.278
Clara E. Sipprell (1885-1975) :: The Sea at Mazatlan, Mexico, ca. 1931. Gelatin silver print. | Amon Carter Museum
Clara Sipprell (1885-1975); Lake Chapala, Mexico; ca. 1931; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.281
Clara E. Sipprell (1885-1975) :: Lake Chapala, Mexico, ca. 1931; Gelatin silver print. | Amon Carter Museum

Movie actress by Nappelbaum

Moisei Solomonovich Nappelbaum (1869-1958) :: Movie actress, 1940s. Gelatin silver print. Inscribed on the reverse. А stamp of the Directorates of international photo exhibitions on the reverse. Borodulin Coll. | src Hermitage Fine Art
Moisei Solomonovich Nappelbaum (1869-1958) :: Movie actress, 1940s. Gelatin silver print. Inscribed on the reverse. А stamp of the Directorates of international photo exhibitions on the reverse. Borodulin Coll. | src Hermitage Fine Art

“The Roof of the World” 1920s

"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum

Portrait by Svishtov-Paola

Nikolai Ivanovich Svishchov · Paola (1874-1964) :: Portrait of a Woman, Moscow, 1920s. Inscribed on the reverse. А stamp «Photographer N. I. Svishchov-Paola» and Art Publish on the reverse. Collection of Borodulin. | src Hermitage Fine Art

Portrait by Mauro Camuzzi, 1920s

Mauro Camuzzi (1893-1964) :: Ritratto artistico femminile. Non datato, ma anni '20. Impresso al recto: 'Fot. Camuzzi / Via Senato, 8 – Milano'. Al verso timbro 'Rivista Popolo d’Italia' e note a matita. src Libreria antiquaria Gonelli
Mauro Camuzzi (1893-1964) :: Ritratto artistico femminile. Non datato, ma anni ’20.
Impresso al recto: ‘Fot. Camuzzi / Via Senato, 8 – Milano’. Al verso timbro ‘Rivista Popolo d’Italia’ e note a matita.
src Libreria antiquaria Gonelli

Camuzzi ritrae la modella adagiata su un divano. Una particolare tecnica mette a fuoco il viso dallo sguardo intenso e la mano appoggiata al mento, mentre lascia volutamente sfuocato il drappeggio della veste e lo sfondo. Lo scatto risale al periodo dello Studio in via Senato 8. (1920s) [src Gonelli]

Camuzzi portrays the model lying on a sofa. His particular technique focuses on her face with an intense gaze and the hand resting on her chin, while deliberately leaving the drapery of the dress and the background out of focus. The shot dates back to the period of the Studio in via Senato 8. (1920s) [quoted from source]

Girl among hollyhocks, ca. 1910

Eva Watson-Schütze :: [Portrait of an unknown woman among hollyhocks], ca. 1910. [detail] | src Rijksmuseum
Eva Watson-Schütze :: [Portrait of an unknown woman among hollyhocks], ca. 1910. [detail] | src Rijksmuseum
Eva Watson-Schütze :: Portret van een onbekend meisje tussen bloemen [Unknown woman among hollyhocks], ca. 1910. Gelatin silver print on baryta paper. [Public domain] | src Rijksmuseum
Eva Watson-Schütze :: Portret van een onbekend meisje tussen bloemen [Portrait of an unknown woman among hollyhocks], ca. 1910. Gelatin silver print on baryta paper. [Public domain] | src Rijksmuseum

Portrait study by J. Craig Annan

J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie", 1908
J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie”, 1908
J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie", 1908
J. Craig Annan (Glasgow) :: Portrait study. Autotypie. From: „Die Kunst in der Photographie”, 1908

Idol by Waldemar Eide

Waldemar Eide :: "Idol". Portrett av ukjent kvinne. Eksempel på norsk piktoralisme og symbolisme. Bildet har preget forsiden av magasinet Hvar 8 dag i mars 1924 | Norsk Folkemuseum Waldemar Eide :: "Idol". Portrait of unknown woman. Example of Norwegian pictorialism and symbolism. The image graced the cover of the magazine Hvar 8 dag in March 1924 | Digitalt museum
Waldemar Eide :: “Idol”. Portrett av ukjent kvinne. Eksempel på norsk piktoralisme og symbolisme. Bildet har preget forsiden av magasinet Hvar 8 dag i mars 1924 | Norsk Folkemuseum
Waldemar Eide :: “Idol”. Portrait of unknown woman. Example of Norwegian pictorialism and symbolism. The image graced the cover of the magazine Hvar 8 dag in March 1924 | Digitalt museum