Vine Dance “Andante”, 1920s

Harry Richardson Cremer :: Vine dance “Andante”. Gorgeous vintage nude Nymph, 1920-1930. The photograph is part of an amazing collection of vintage silver gelatin images from the estate of Harry Richardson Cremer. | src eBay
H.R. Cremer was a fixture of the international camera circuit from 1924-1936. His work was shown across the US & Overseas. Mr. Cremer was a charter member of the Photographic Society of America, participating in more than 100 photographic exhibits. His works are reminiscent of contemporaries like Alfred Cheney Johnston & Edwin Bower Hesser, shooting nudes & portraits alike. (quoted from source)
 
Harry Richardson Cremer :: Vine dance “Andante”. Gorgeous vintage nude Nymph, 1920-1930.

Hypnosetanz, ca. 1904

Hypnosetanz der Traumtänzerin Madeleine G. (le rêve danseuse Madeleine G.) in der Münchner Pyschologischen Gesellschaft, ca. 1904. Phot. Fréd. Boissonas (AS monogram: Atelier Boissonas). | src eBay
Madeleine G., born Marie Madeleine Joséphine Emma Guipet, née Archinard in Tiflis [Tbilis] in 1876.

Comet Morehouse, 1908

Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
16645 – Morehouse’s Comet. Photographed at Yerkes Observatory, 1908. Keystone View Company. Half of original stereo card. | src MOPA ~ Museum of Photographic Arts (Chicago, USA)

Lilliput juxtapositions, 1940

(top) ‘Lilliput’ comparison (26) from ‘Pocket Omnibus’ (July 1940)
(middle) ‘Lilliput’ comparison (25) from ‘Pocket Omnibus’ (June 1940)
(bottom) ‘Lilliput’ comparison (27) from ‘Pocket Omnibus’ (July 1940)
Lilliput, a magazine by Stefan Lorant | src Flickr

Lilliput comparisons, 1940-47

(top) Ladies of Fashion, ‘Lilliput’ comparison from August 1940 issue and (bottom) ‘Dancers’, from March 1947 issue.
Lilliput Pocket Omnibus, a magazine by Stefan Lorant. | src Flickr