The Mirror, 1912 (C.H. White)

Clarence Hudson White :: The Mirror, 1912. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D'Amour Museum of Fine Arts · Springfield Museums
Clarence Hudson White :: The Mirror, 1912. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D’Amour Museum of Fine Arts · Springfield Museums

Georgia OʹKeeffe fixing hair

Alfred Stieglitz :: Georgia OʹKeeffe (fixing hair), 1919-21. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D'Amour Museum of Fine Arts · Springfield Museums
Alfred Stieglitz :: Georgia OʹKeeffe (fixing hair), 1919-21. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D’Amour Museum of Fine Arts · Springfield Museums

Dialogues 2015-1910s (?)

Ronit Porat :: Untitled Kinesphere (Valeska Gert) | Tmuna Theater Gallery, Tel Aviv, 2015 | src Flickr
Valeska Gert [Berühmte Tänzerinnen (Famous Dancers) # 98] Phot. Atlantic | src Flickr

Tänzerin Marion Herrmann

Finale. Die Tänzerin Marion Herrmann (Spezialphoto). Tempo Magazin, 1927, Heft 2. | src Flickr

Valeska Gert, Tempo, 1927

Suse Byk :: Valeska Gert in ihrem Tanz “Kanaille” [in her dance Canaille]. Tempo Magazin, 1927, Heft 2. | src Flickr
Erna Lendvai-Dircksen :: Valeska Gert in einem ihrer Grotesktänze. Tempo Magazin, 1927, Heft 1. | src Flickr
Erna Lendvai-Dircksen :: Tanzbeginn [Beginning of the Dance]. Valeska Gert. Tempo Magazin, 1927, Heft 2. | src Flickr

Erna Morena by Karl Schenker

Erna Morena. German postcard. 1910s, Wilhelminian era. Photo by Karl Schenker. P.A.G. Union, Berlin. Film-Sterne nº 79/6. | src Flickr
Karl Schenker :: Bildnis-Photographie. Erna Morena (1885-1962), born Ernestine Maria Fuchs. Signed 1914. | src Deutsche Kunst un Dekoration 1915-1916

Pulling Laundry, 1925-2015

Ronit Porat :: Untitled, from Kinesphere | Tmuna Theater Gallery, Tel Aviv, 2015 | src Ronit Porat
Rhythmische Gymnastik: Wäscheziehen (System Mensendieck). Phot. Lili Baruch. UHU Magazin, Oktober 1925. | src Flickr

Birgit Åkesson, some portraits

Birgit Akesson, foto: okänd. | src Dansmuseet on IG
Birgit Åkesson, foto: okänd. | src Dansmuseet on IG
Birgit Akesson, foto: Berndt Klyvare. | src Dansmuseet • IG
Birgit Åkesson, foto: Berndt Klyvare. | src Dansmuseet • IG
Birgit Akesson, foto: okänd. | src Dansmuseet on IG
Birgit Åkesson, foto: okänd. | src Dansmuseet on IG
Birgit Akesson, foto: Jan de Meyere 1934. | src Dansmuseet • IG
Birgit Åkesson, foto: Jan de Meyere; 1934. | src Dansmuseet IG
Birgit Akesson, foto: okänd. | src Dansmuseet • IG
Birgit Åkesson, foto: okänd. | src Dansmuseet • IG
Birgit Åkesson, foto: okänd. | src Dansmuseet • IG
Birgit Åkesson, foto: okänd. | src Dansmuseet • IG
Birgit Åkesson, foto: okänd. | src Dansmuseet • IG
Birgit Åkesson, foto: okänd. | src Dansmuseet • IG

Dialogues 1925 -2015

Ronit Porat :: Shoulder-stand, 2015 (Lili Baruch, 1925). From: Kinesphere | Tmuna Theater Gallery, Tel Aviv, 2015. | src Ronit Porat
Rhythmische Gymnastik: Die Kerze (System Mensendieck) Phot. Lili Baruch. UHU Magazin, Oktober 1925. | src Flickr