Margate by Warburg, 1900s

John Cimon Warburg :: 'Margate Sands', ca. 1910, autochrome. | src V&A South Kensington — **John Cimon Warburg ::** ‘Margate Sands’, ca. 1910, autochrome. | src V&A South Kensington

John Cimon Warburg :: 'Child Bathing, Margate', ca. 1909, autochrome. | src V&A Museum — **John Cimon Warburg ::** ‘Child Bathing, Margate’, ca. 1909, autochrome. | src V&A Museum

John Cimon Warburg :: Margate, ca. 1909, autochrome. | src V&A Museum — **John Cimon Warburg ::** Margate, ca. 1909, autochrome. | src V&A South Kensington

John Cimon Warburg :: 'Cloud and Cliff', ca. 1909, autochrome. | src V&A Museum — **John Cimon Warburg ::** ‘Cloud and Cliff’, ca. 1909, autochrome. | src V&A Museum

John Cimon Warburg :: 'The Last Digger', ca. 1909, autochrome. | src V&A Museum — **John Cimon Warburg ::** ‘The Last Digger’, ca. 1909, autochrome. | src V&A Museum

Warburg by Warburg, ca. 1910

John Cimon Warburg :: Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer's daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum — **John Cimon Warburg ::** Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer’s daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum

John Cimon Warburg :: Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum — **John Cimon Warburg ::** Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum

**John Cimon Warburg ::** ‘The Sunny Doorway’, ca. 1909, autochrome. | src V&A Museum

John Cimon Warburg :: 'Peggy by the Orange Tree', Autochrome, 1909. Photograph of a full length portrait of Warburg's daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum — **John Cimon Warburg ::** ‘Peggy by the Orange Tree’, Autochrome, 1909. Photograph of a full length portrait of Warburg’s daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum

**John Cimon Warburg** :: ‘Joan in Red Riding Hood Cape with Basket’, autochrome, 6 November 1907. | src V&A Museum
Photograph of a near full length potrait of Warburg’s daughter Joan dressed in a Red Riding Hood cape. She stands beside a bush of white daisies. Warburg has annotated the plate with details regarding how the photograph was made.

Patrick Morales-Lee’s portraits

Patrick Morales-Lee :: Veneration nº 3. Orange, from the exhibition «Folllowing» at Galerie Heimat
portrait
photocomposite
mixed media — **Patrick Morales-Lee ::** Veneration nº 3. Orange, from the exhibition «Folllowing» at Galerie Heimat

Patrick Morales-Lee :: Blanquet, from the exhibition «Folllowing» at Galerie Heimat — **Patrick Morales-Lee ::** Blanquet, from the exhibition «Folllowing» at Galerie Heimat

Patrick Morales-Lee :: unknown title, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie — **Patrick Morales-Lee ::** unknown title, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie

Patrick Morales-Lee :: Crowning, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie — **Patrick Morales-Lee ::** Crowning, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie

Patrick Morales-Lee :: Cloak, from the exhibition «Folllowing» at Galerie Heimat — **Patrick Morales-Lee ::** Cloak, from the exhibition «Folllowing» at Galerie Heimat

Patrick Morales-Lee :: Covenant, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie — **Patrick Morales-Lee ::** Covenant, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie

Lion, Dietrich and Karlweis, 1928

Zander & Labisch :: Foto von Margo Lion mit Marlene Dietrich und Oskar Karlweis in "Wenn die beste Freundin…" [If your best friend...] aus der Revue "Es liegt in der Luft" [It is in the Air] , Berlin, 1928. From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin — **Zander & Labisch ::** Foto von Margo Lion mit Marlene Dietrich und Oskar Karlweis in “Wenn die beste Freundin…” [If your best friend…] aus der Revue “Es liegt in der Luft” [It is in the Air] , Berlin, 1928. From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin

Margo Lion’s portraits

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
3/4 length portrait — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste

**Rolf Mahrenholz ~** Margo Lion in den “Hetärengesprächen”(Dialogue of the Courtesans). Der Querschnitt B.7, H.8, August 1927 | src arthistoricum

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
bildnis
3/4 length portrait — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste

Atelier Willinger :: Porträtfoto von Margo Lion, signiert (Seitenprofil). | src Akademie der Künste, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
portrait — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste

Porträt und Atelierfoto von Margo Lion. Postkarte, signiert. | src Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste

Margo Lion, between 1920-1932

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
bildnis
profil — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
raising flass
toast — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
jewellery — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
jewelry — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
dr zeller
jewellery — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste, Berlin

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
sitting — Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künste, Berlin

Vera Cooper, Deauville, 1925

Miss Vera Cooper poses for journalists on the beach of the French resort of Deauville, France, August 21, 1925. Glass negative. Agence Rol. | src Gallica ~ BnF

Anita Berber as a poetess

Tänzerin und Schauspielerin Anita Berber, Rollenporträt, undtiert. (Photo © Ullstein Bild | src Getty Images

Anita Berber Dichterin: Die offen bisexuelle Anita Berber tanzte und provozierte nicht nur, sondern betätigte sich auch als Lyrikerin. In ihrem Gedicht “Orchideen” etwa heißt es: “Ich küsste und kostete jede bis zum Schluss / Alle alle starben an meinen roten Lippen / An meinen Händen / An meiner Geschlechtslosigkeit / Die doch alle Geschlechter in sich hat / Ich bin blass wie Mondsilber.”

Anita Berber as a poetess: The openly bisexual Anita Berber not only danced and provoked, but also was as a poet. In her poem “Orchids”, for example, it says: “I kissed and tasted each one to the end / All died on my red lips / On my hands / On my genderlessness / Which has all genders in it / I am pale as moon silver.”

quoted from Der Spiegel: Anita Berber – die Hohepriesterin des Lasters