Category: photocomposite, photomanipulation, photocollage

The Rubaiyat of Omar Khayyam

William H. Mortensen :: Art study for Selected Quatrains from ‘The Rubaiyat of Omar Khayyam with Camera Projections (*)’, 1925.
(*) The photographer’s first book. This hand-bound title was produced by Mortensen while he was designing sets for a mid-1920s production of the Rubaiyat entitled ‘A Lovers Oath’. | src hauntedBYstorytelling

Courtney Crawford, ca. 1924

William Herbert Mortensen (1897 – 1965) :: Courtney Crawford with Masks, ca. 1924. | source monster brains
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William H. Mortensen (1897 – 1965) · Courtney Crawford with Masks, ca. 1924. | source lexiconmag
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Sappho, 1926

William H. Mortensen (1897-1965) · Sappho (actress Dorothy Cumming), 1926. Manipulated photograph. Unique Print. | source Flickr via hauntedbystorytelling | more [+] by this photographer

L’Amour ~ Love, 1935

William H. Mortensen :: L’Amour | Love, 1935. Manipulated photograph. An image from American Grotesque: the Life and Art of William Mortensen, published by Feral House. “Mortensen’s methods often made it hard to distinguish whether the results were photographs or not. He used traditional printmaking techniques, such as bromoiling, and developed many of his own. He would create composite images, scratch, scrape and draw on his prints, then apply a texture that made them look like etchings, thereby disguising his manipulations. Consequently, every print was unique.” quoted from source The Guardian
William H. Mortensen :: L’Amour | Love, 1935. Manipulated photograph. | src cargo collective | more [+] by this photographer

‘Caprice Vanois’, ca. 1924-1926

William H. Mortensen (1897 – 1965) :: ‘Caprice Vanois’, ca. 1924-1926. Manipulated photograph. Unique Print. | src whmortensen.com 
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Ordeal by Roses # 29

Eikoh Hosoe :: Ordeal by Roses # 29, 1962. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Eikoh Hosoe :: Barakei (Killed by Roses) # 29, 1962 (printed 2006). | src Akron Art Museum
Hosoe’s best known series is Barakei, a wild yet poetic portrait of Japanese writer Yukio Mishima. A celebrated intellectual, Mishima wanted to be seen as a “man of the body.” These prints are non-traditional, incorporating montage, multiple exposures, bleaching and other manipulation.

Subida a la Catedral, 1937-38

Kati Horna :: Subida a la Catedral, Guerra Civil española, Barcelona, España, 1937. | src MHG via l’œil de la photographie
Kati Horna :: Portrait, 1937. | src Michael Hoppen Gallery online exhibit via l’œil de la photographie
Kati Horna :: Subida a la catedral [Ascending to the Cathedral], Spanish Civil War, Barcelona, 1938. Gelatin silver print (photomontage). Archivo Privado de Fotografía y Gráfica Kati y José Horna. | src Kati Horna at Jeu de Paume via l’œil de la photographie