Bruno Miniati ~ Studio di nudo, ca. 1930 From : Bruno Miniati : fotografo, 1889-1974Bruno Miniati ~ Studio di nudo, ca. 1930 From : Bruno Miniati : fotografo, 1889-1974 (Alinari, Firenze, 1992) | src internet archive
Study of a nude female model, seen from the back, in the atelier of Jacques de Lalaing, preliminary study for element for a fountain in Musée des Beaux arts, Tournai (Doornik) and for circular fountain, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen printStudy of a nude female model, seen from the back, in the atelier of Jacques de Lalaing, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen printStudy of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, preliminary study for element for a fountain in Musée des Beaux arts, Tournai (Doornik) and for circular fountain, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen printStudy of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen printStudy of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen printStudy of a female nude model, seen from the side, in the atelier of Jacques de Lalaing, Brussels, ca. 1900-1914. Attributed to Jacques Lalaing. Albumen print
All five images are part of a notebook with 108 Photographs of Models Owned by Jacques de Lalaing (1858-1917). Access to the whole notebook held at Rijksmusem, here: follow link >>> (RP-F-2001-4)
Herbert James Draper (1864-1920) :: Study of Florrie Bird for Naiad in The Lament for Icarus. Black and white chalks on grey paper. Signed ‘Herbert Draper’ (lower left), inscribed with title (centre right). | src Bonhams Herbert Draper (1863–1920) :: The Lament for Icarus, exhibited 1898. Oil on canvas. | DETAILHerbert Draper (1863–1920) :: The Lament for Icarus, exhibited 1898. Oil on canvas. | Tate Britain
Oľga Bleyová (1930 – 2019) :: Akt IV, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNGOľga Bleyová (1930 – 2019) :: Akt III, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNGOľga Bleyová (1930 – 2019) :: Akt I, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNGOľga Bleyová (1930 – 2019) :: Akt V, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová (1930 – 2019) belongs to the generation of Slovak photographers that emerged on the art scene betweenthe 1960s and 1970s, and was open to experimenting in photography. She brought to photography her sense of imagination and poeticism, and conveyed her female view into a thoroughly articulated message. Her nudes can, without any doubt, be considered among her most distinctive work.
Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study.Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study by Nickolas Muray. Stamped on the back Photo by Nickolas Muray, 38 East 50th St., N.Y.C. [full image] | src David Pollack vintage posters
Albert Arthur Allen (1886-1962) :: From: The Human Figure, from Series 10, Part 2, ca. 1920. Gelatin silver print. | src Heritage AuctionsAlbert Arthur Allen (1886-1962) :: From: The Human Figure, from Series 10, Part 2, ca. 1920. Gelatin silver print. | src Heritage AuctionsAlbert Arthur Allen (1886-1962) :: From: The Human Figure, from Series 10, Part 2, ca. 1920. Gelatin silver print. | src Heritage Auctions