

images that haunt us









In 1924 Francis Picabia asked Bronia to participate in a production, Ciné Sketch, that he and René Clair were putting on after the Relache ballet on New Year’s Eve. Bronia agreed, and she and Marcel Duchamp appeared nude —Duchamp did have a strategically placed fig leaf— in a living tabloid of Lucas Cranach’s Adam and Eve, which Man Ray photographed.
Ciné Sketch (1924) was a theatrical diversion conceived by Francis Picabia and René Clair, in which Marcel Duchamp and the Jewish-Polish model Bronia Perlmutter mime the figures of Adam and Eve in a tableau vivant of the Temptation after a painting by Cranach. Ciné-Sketch was performed only once, at the conclusion of Relache (by Ballets Suédois) at the Théâtre des Champs-Elysées on New Year’s Eve 1924.

Antoni Esplugas Puig :: Nu femení. Noia sortint d’un marc, 1890-1900. | src fotografia catalunya
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Although Moulin was sentenced in 1851 to a month in jail for producing images that, according to court papers, were “so obscene that even to pronounce the titles . . . would be to commit an indecency,” this daguerreotype seems more allied to art than to erotica. Instead of the boudoir props and provocative poses typical of hand-colored pornographic daguerreotypes, Moulin depicted these two young women utterly at ease, as unselfconscious in their nudity as Botticelli’s Venus. [quoted from The Met]







