







images that haunt us









The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s.
The starting point of the series are photographs of the 19th and 20th century (by Minya Diez-Dührkoop), which have a typical brown patina and whose motifs cover the entire range of historical photography. When these photographs are inverted (reversing the positive into the negative), a high-contrast blue tone emerges, and the compositional design comes to the fore. Thus, the negative, the actual ‘original’ of a photograph, which threatens to disappear completely due to the triumph of digital photography, becomes the object of contemplation.
text adapted from source : Mai 36 Galerie












![Minya Diez-Dührkoop :: Clotilde Sacharow. Der Kleine Schäfer | The Little Shepherd. [Gedanken über den Tanz von Alexander Sacharow]. Published in «Deutsche Kunst und Dekoration: illustr. Monatshefte für moderne Malerei, Plastik, Architektur, Wohnungskunst u. künstlerisches Frauen-Arbeiten» (1924). | src Universitätsbibliothek Heidelberg](https://unregardoblique.com/wp-content/uploads/2021/02/clotilde-sacharow-der-kleine-schafer-1924.jpg)
![Minya Diez-Dührkoop :: Clotilde Sacharow. Der Kleine Schäfer | The Little Shepherd. [Gedanken über den Tanz von Alexander Sacharow]. Published in «Deutsche Kunst und Dekoration: illustr. Monatshefte für moderne Malerei, Plastik, Architektur, Wohnungskunst u. künstlerisches Frauen-Arbeiten» (1924). | src Universitätsbibliothek Heidelberg](https://unregardoblique.com/wp-content/uploads/2022/03/clotilde-sacharow-der-kleine-schafer-1924-b.jpg)








