Friedensreich Hundertwasser
Category: illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione
Costume for Tosca by Erté
Das Meer und seine Bewohner
Arbeit aus der Schule Paul Bürck’s an der Kunstgewerbeschule zu Magdeburg. Deutsche Kunst und Dekoration, 1903
Arbeit aus der Schule Paul Bürck’s an der Kunstgewerbeschule zu Magdeburg. Deutsche Kunst und Dekoration, 1903
Kiss of Love by Erté (ca 1983)
Erté (Romain De Tirtoff, Russian/French, 1892-1990) color serigraph on paper with silver, gold, and red foil embossing titled “Kiss of Fire” from the artist’s Love and Passion Suite, numbered 61/300, published circa 1983. Depicts a partially nude male and a female couple in profile standing on a gold surface and dressed in red, orange, and purple flowing garments and headdresses reminiscent of flames, their arms resting on each other’s shoulders, against a black background with a black circular pattern embossed above. Numbered in white pencil, lower left below image, signed “Erte” in white pencil, lower right below image. | quoted from Case Fine Arts & Antiques
Black Cat – MPW – 1916
Queen of the Night by Erte
This publisher’s proof depicts the Queen of the Night from “The Magic Flute” opera by Wolfgang Amadeus Mozart, with four attendants holding the hem of her elaborate gown against a black background, surrounded on the left, bottom, and right edges by a gold star border. Numbered, in chalk, lower left, signed “Erté”, in chalk, lower right. Merrill Chase, Chicago, IL, gallery label, en verso. Housed under glass in a giltwood frame with a black linen liner with a giltwood fillet. Property of Milligan University, Milligan, Tennessee. source: Case Antique / Case Auctions
The Chalice of Sorrow (1916)
![A powerful emotional drama "The Chalice of Sorrow" [aka, The Fatal Promise] with Cleo Madison. The Story of a Fruitless Love, directed by Rex Ingram. Moving Picture World, November 1916](https://live.staticflickr.com/65535/52473387712_b2b97b635c_o.jpg)
Bluebird Photo-Plays began advertising in Moving Picture World, January 8, 1916. Burton Rice created the advertisements for Bluebird Photo-Plays that appeared in Moving Picture World beginning April 15, 1916. On December 23th, 1916 MPW published a short article on Burton Rice and his plans of moving to Europe. He left the US, moved to Paris and mailed his artwork to Bluebird Photo-Plays in New York City. In 1917 Rice produced fewer works for Bluebird Photo-Plays. Ethel Rundquist was hired to fill-in for Rice and eventually replaced him.
In the second half of the 1920s, Rice began using the pen name, Dynevor Rhys. From 1930 to 1935 Rice, as Rhys, was credited with almost three dozen covers for The Delineator. He contributed drawings to Harper’s Bazaar.
Black Orchids (1916)
In the second half of the 1920s, Rice began using the pen name, Dynevor Rhys. From 1930 to 1935 Rice, as Rhys, was credited with almost three dozen covers for The Delineator. He contributed drawings to Harper’s Bazaar.
Bluebird Photo-Plays began advertising in Moving Picture World, January 8, 1916. Burton Rice created the advertisements for Bluebird Photo-Plays that appeared in Moving Picture World beginning April 15, 1916. On December 23th, 1916 MPW published a short article on Burton Rice and his plans of moving to Europe. He left the US, moved to Paris and mailed his artwork to Bluebird Photo-Plays in New York City. In 1917 Rice produced fewer works for Bluebird Photo-Plays. Ethel Rundquist was hired to fill-in for Rice and eventually replaced him.
The Price of Silence (1916)
Bluebird Photo-Plays began advertising in Moving Picture World on January 8, 1916. Burton Rice created the advertisements for Bluebird Photo-Plays that appeared in Moving Picture World beginning April 15, 1916. On December 23th, 1916 MPW published a short article on Burton Rice and his plans of moving to Europe. He left the US, moved to Paris and mailed his artwork to Bluebird Photo-Plays in New York City. In 1917 Rice produced fewer works for Bluebird Photo-Plays. Ethel Rundquist was hired to fill-in for Rice and eventually replaced him.
In the second half of the 1920s, Rice began using the pen name, Dynevor Rhys. From 1930 to 1935 Rice, as Rhys, was credited with almost three dozen covers for The Delineator. He also contributed drawings to Harper’s Bazaar.
Lady with kitten, Jugend, 1898
un regard oblique 