Steinlen: Chats, 1909

Théophile-Alexandre Steinlen (1859-1923) :: L’Été-Chat sur une Balustrade (top) & L’Hiver-Chat sur un Coussin (bottom), 1909
Lithographs in colors on heavy wove paper and wove paper backed with Japan, printed by R. Engelmann, Paris. | src Bonhams

Maskerade (Lo Hesse)

Walter Schnackenberg :: Ballet und Pantomime 'Maskerade' (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Maskerade’ (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs

Carmen Tortola Valencia, 1912

Walter Schnackenberg :: The dancer Carmen Tortola Valencia, 1912. Watercolour, brush and India ink and opaque white over pencil on paper. | src Grisebach Autumn Auctions 2020
Walter Schnackenberg :: The dancer Carmen Tortola Valencia, 1912. Watercolour, brush and India ink and opaque white over pencil on paper. | src Grisebach Autumn Auctions 2020

Tschaikiun, Lo Hesse (1920)

Walter Schnackenberg :: Ballet und Pantomime 'Tschaikiun' I, print # 3 (Lo Hesse), 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Tschaikiun’ I, print # 3 (Lo Hesse), 1920. | src 1st dibs
Walter Schnackenberg :: 'Tschaikiun' II, plate # 17 (Lo Hesse), ca. 1920. | src Colletti Gallery
Walter Schnackenberg :: ‘Tschaikiun’ II, plate # 17 (Lo Hesse), ca. 1920. | src Colletti Gallery

‘Primula Vera’ (Lo Hesse), 1920

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.” (quoted from source)

Kasjan’s ballet, 1920-1925

Kassian Golejzovsky, Kasjan’s ballet. Poster, first half of the 1920s. Pencil, collage, white lead on plywood. [K. Golejzovskij, Il balletto di Kasjan K. Golejzovskij, manifesto, metà anni venti. Matita, collage, biacca su compensato]. | src Nicoletta Misler: L’Arte del Movimento in Russia 1920-1930

Poire et Rose, 1968

René Magritte :: Poire et Rose, from Moyens d’Existence (Kaplan & Baum 20), 1968. Etching and aquatint in colors on wove paper, stamp signed and numbered in pencil 16/150, with the Atelier René Magritte blindstamp, printed by Atelier Georges Visat, Paris. | src Bonhams

Foujita self-portaits, 1928

Léonard Tsuguharu Foujita :: Autoportrait au chat, 1927. Fondation Foujita-Adagp, Paris-Archives artistiques. | src The New York Review
Léonard Foujita (Tsuguharu Foujita, dit) :: Portrait de l’artiste, 1928. Peinture. | src Centre Pompidou

Les Sakharoff, 1920s-1930s

Clotilde & Alexandre SAKHAROFF. Programme, late 1920s – 1930s. (dessin: 1917) | src interencheres
Alexandre et Clotilde SAKHAROFF. Programme, 1930s. (dessin: 1935) | src interencheres

Clotilde et Alexandre Sakharoff

Clotilde et Alexandre SAKHAROFF. Programme, 1930s. | src interencheres
Clotilde et Alexandre SAKHAROFF. Programme, late 1920s – 1930s. (Dessin: N.C.) | src interencheres