Alice Terry und Rodolpho Valentino in “Wetenwahn” (Die vier apokalyptischen Reiter | The Four Horsemen of the Apocalypse). Die Filmwelt, 1925, Heft 11. | src ÖNB
A still from the archival video of Florence Noyes’s Dance of Freedom. Photo courtesy Dawson City Museum and Historical Society Collection, Library and Archives Canada. “Movement was more than a metaphor for the fight for women’s suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women’s rights.” quoted from source. | src Dance magazine
A scene from the lost film “The American Venus” (Frank Tuttle, 1926). Published in Film Fun, June 1926. | src internet archive «Lady in the left window: I wonder why Helen of Troy had such a reputation for beauty.» « Lady in the right window: Why, that’s easy to see. She got all her clothes from Paris.»
Der Heilige Berg – Leni Riefenstahl – MGMP 3809. | src Wiener Werkstaette PostkartenLeni Riefenstahl in Der Heilige Berg (Germany, Arnold Fanck, 1926). From the Taussig film stills collectionSKÖN FILMANDE DANSÖS Den vackra bilden härinvid föreställer den tyska dansösen Leni Riefensthal såsom hon framträder i den stora Vfa-filmen Bergens hemlighet. Dansösen har här den icke så lätta uppgiften att framhäva sin egen skönhet bredvid den naturprakt, som scenerierna frän Alperna erbjuda i den märkliga filmen. BEAUTIFUL DANCE FILM The beautiful picture next depicts the German dancer Leni Riefensthal as she appears in the great VfA film Bergen’s Secret. The dancer has the not so easy task of emphasizing her own beauty next to the natural splendor that the scenery from the Alps offer in the strange film. | src Scenen (1927) at Projekt Runeberg