Die Tänzerin Mizzi Müller, 1928

Ernst Förster :: Mizzi Müller. Tänzerin-Portrait mit Spitze über nacktem Oberkörper. veröffentlicht: Uhu Magazin 5/1928 | Dancer portrait with lace top over naked torso, 1928 [for Atelier Adele] | source Getty Images
Ernst Förster :: Mizzi Müller. Tänzerin-Portrait mit Spitze über nacktem Oberkörper. veröffentlicht: Uhu Magazin 5/1928 | Dancer portrait with lace top over naked torso, 1928 [for Atelier Adele?] | source Getty Images
Ernst Förster :: Mizzi Müller. Tänzerin-Portrait mit Spitze über nacktem Oberkörper. veröffentlicht: Uhu Magazin 5/1928 | Dancer portrait with lace top over naked torso, 1928 [for Atelier Adele (?)] | source Getty Images
Der Spitzenschal als Kleid. Die Tänzerin Mizzi Müller. Phot. Förster. Uhu Februar 1928 - 5/1928.
Der Spitzenschal als Kleid. Die Tänzerin Mizzi Müller. Phot. Förster. Uhu, Februar 1928 – 5/1928. | Universitätsbibliothek der Humboldt

Adam et Eve; tableau vivant

Man Ray :: Ciné-Sketch; Adam and Eve (Marcel Duchamp and Bronia Perlmutter), 1924. Gelatin silver print, on carte postale, printed in the 1930s. | src Christie’s & Philadelphia Museum of Art (Philamuseum)

In 1924 Francis Picabia asked Bronia to participate in a production, Ciné Sketch, that he and René Clair were putting on after the Relache ballet on New Year’s Eve. Bronia agreed, and she and Marcel Duchamp appeared nude —Duchamp did have a strategically placed fig leaf— in a living tabloid of Lucas Cranach’s Adam and Eve, which Man Ray photographed.

Ciné Sketch (1924) was a theatrical diversion conceived by Francis Picabia and René Clair, in which Marcel Duchamp and the Jewish-Polish model Bronia Perlmutter mime the figures of Adam and Eve in a tableau vivant of the Temptation after a painting by Cranach. Ciné-Sketch was performed only once, at the conclusion of Relache (by Ballets Suédois) at the Théâtre des Champs-Elysées on New Year’s Eve 1924.

Jeanloup Sieff · some nudes

Jean-Loup Sieff (1933 – 2000) ~ Carolyn Carlson, Paris, 1974. Moderna Museet retropective (2011) | src ODLP
JeanLoup Sieff :: Unknown title. From UN NU, Jeanloup Sieff retrospective (Hôtel de Sauroy, 2014) | src l’œil de la photographie
JeanLoup Sieff :: Unknown title. Retrieved from UN NU, Jeanloup Sieff retrospective at Hôtel de Sauroy, Dec. 2014 | src ODLP

Dance study by de Meyer

Adolf de Meyer :: [Dance study], ca. 1912. Platinum print | source The Metropolitan Museum of Art via wikimedia commons

It has been suggested that this photograph, the only [known] nude by de Meyer, has some connection to the Ballets Russes, but the nature of that link remains mysterious. The image vibrates with an uneasy erotic tension, a product of the figure’s exposed torso, startled body language, and disguised identity. (quoted from The Met)

image in higher resolution thanks to wikimedia commons

The duplication of images is due to errors in the process of importing files from tumblr (the images were not loaded in hi-res): tumblr post, here

Nakazora # 1144

Masao Yamamoto :: Nakazora # 1144 | src ValidFoto | more [+] by this photographer
Masao Yamamoto :: Nakazora # 1144 | src ValidFoto | more [+] by this photographer
Masao Yamamoto :: Nakazora # 1144 | src Jackson Fine Art  | more [+] by this photographer
Masao Yamamoto :: Nakazora # 1144 | src Jackson Fine Art | more [+] by this photographer
Masao Yamamoto :: Nakazora # 1144 | src The Red List | more [+] by this photographer
Masao Yamamoto :: Nakazora # 1144 | src The Red List | more [+] by this photographer

Nakazora # 1244

Masao Yamamoto :: Nakazora # 1244, 1987-2018 | src ValidFoto
Masao Yamamoto :: Nakazora # 1244, ca. 2003 | src Jackson Fine Art
Masao Yamamoto :: Nakazora # 1244, 1987-2018 | src Stephen Bulger Gallery
more [+] by this photographer on this blog | related post, here