Slawischer Tanz, 1928

Atelier D’Ora ~ Benda :: Gertrud Bodenwieser in Tanzpose in “Slawischer Tanz”, in einem stark gemusterten Kleid, 1928. |Gertrud Bodenwieser in dance pose for “Slavic Dance”, in a strongly patterned dress, 1928. | src Bildarchiv Austria

Gertrude Kraus in Tanzpose 1927

Atelier d’Ora ~ Benda :: Gertrude Kraus in Tanzposein in einem langen, taillenlosen Kleid, 27.04.1927. | Gertrud Kraus in dance pose in a long, loose dress, 27.04.1927 | src Kulturpool and ÖNB · Österrichische Nationalbibliothek
Atelier d’ Ora, Wien ~ Dancer Gertrud Kraus in a dance to Bach’s aria in G major. Dance photo, 27.04.1927 | src Theatermuseum, Wien
Atelier d’ Ora, Wien ~ Gertrude Kraus in einem langen, taillenlosen Kleid, 27.04.1927 | src ÖNB

Gertrud Bodenwieser Tanzgruppe, 1935

Atelier D’Ora ~ Benda :: Gertrud Bodenwieser (Tänzerin und Choreographin) Tanzgruppe, 02.08.1935 | Gertrud Bodenwieser (Dancer and Choreographer) Dance Group, 1935-02-08 | src Bildarchiv Austria

The Beautiful Line, 1929

Atelier d’Ora Benda :: Die schöne Linie. | The Beautiful Line. Published in Revue des Monats, June 1929. | src Deutsche Nationalbibliothek Leipzig

Andrée Spinelly, 1924-1927

Andrée Spinelly, Paris, 1927 | src The Guardian: Fops and flappers: wild fashions of the 1920s
Madame d'Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Madame d’Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge. src The Guardian: Fops and flappers: wild fashions of the 1920s
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge | src The Guardian: Fops and flappers: wild fashions of the 1920s
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924. | src BnF ~ Gallica
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924 | src BnF ~ Gallica
French actress Andrée Spinelly (1887-1966) known as Spinelly. Vintage French postcard. A.N. [Alfred Noyer], Paris, nº 49, 1920s. Photo by Studio G.L. Manuel Frères | src Flickr

Berber and Droste, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg

Berber and Droste, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg