George Rinhart :: Miss Afton McWilliams, member of the New York Art Colony, who has gained fame with her paintings of Hollywood movie stars, and creations in dance costumes, is shown in an Egyptian costume of her own design. (original caption) | src Getty Images
Nils Dardels fondskiss till Dårhuset av Svenska Baletten, 1920, foto: Torkel Edenborg. | Nils Dardel’s background sketch for Madhouse by the Swedish Ballet, 1920 • src Dansmuseet on IGDårhuset av Svenska Baletten, ca. 1920 | Madhouse (also, Nut-house) by the Swedish Ballet, ca. 1920 “Om ni inte gillar det kan ni dra åt helvete” | “If you do not like it, you can go to hell” – Ballets Suédois 1920–1925 • src Dansmuseet
Dancer Carina Ari with two colleagues from the Swedish Ballet in the spring sun in front of (or actually under) four of the Swedish Ballet’s huge posters. The photo was probably taken during the company’s first tour in Spain in 1921. In the background are several of the Swedish Ballet’s color posters, drawn by Pierre Mourgue, Orsi and Eldsten. • src Dansmuseet’s InstagramVarious posters for the Svenska Baletten (Ballets Suédois), ca. 1920. | src Dansmuseet
Poster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdBPoster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdB
Les films mistérieux. Les Vampires: Les yeux qui fascinent. A reporter and his friend battle a bizarre secret society of criminals known as The Vampires. Louis Feuillade, 1915. Films Gaumont. | src IMdBLes Vampires. Qui? Quoi? Quand? Ou…? | src IMdB
Maurice Goldberg :: Jean Börlin i Harlekin, ca. 1920. | src Dansmuseet on IGJean Börlin in Harlequin (1920), with costume by Nils Dardel. | src Dansmuseet on IG
Interpretation of the Aeolian Harp’s costume from the Ballets Suédois “L’homme et son désir” [The Man and His Desire] after Audrey Parr’s design from 1921. | src Dansmuseet on IG
Kaj Smith in Aeolian Harp’s costume from the Ballets Suédois “L’homme et son désir” [The Man and His Desire], ca. 1921. | src Dansmuseet on IG
Sasha :: Elizabeth Delmore, in a costume full of eastern promise including turban, prepares to play one of the Court Ladies in a production of Omar Khayyam’s poem The Persian Garden, 30th June 1936. (Photo by Sasha / Alexander Stewart) | src Getty Images