Maskerade (Lo Hesse)

Walter Schnackenberg :: Ballet und Pantomime 'Maskerade' (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Maskerade’ (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs

Carmen Tortola Valencia, 1912

Walter Schnackenberg :: The dancer Carmen Tortola Valencia, 1912. Watercolour, brush and India ink and opaque white over pencil on paper. | src Grisebach Autumn Auctions 2020
Walter Schnackenberg :: The dancer Carmen Tortola Valencia, 1912. Watercolour, brush and India ink and opaque white over pencil on paper. | src Grisebach Autumn Auctions 2020

Tschaikiun, Lo Hesse (1920)

Walter Schnackenberg :: Ballet und Pantomime 'Tschaikiun' I, print # 3 (Lo Hesse), 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Tschaikiun’ I, print # 3 (Lo Hesse), 1920. | src 1st dibs
Walter Schnackenberg :: 'Tschaikiun' II, plate # 17 (Lo Hesse), ca. 1920. | src Colletti Gallery
Walter Schnackenberg :: ‘Tschaikiun’ II, plate # 17 (Lo Hesse), ca. 1920. | src Colletti Gallery

‘Primula Vera’ (Lo Hesse), 1920

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.” (quoted from source)

Lo Hesse, Rollenporträt

Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien

German dancer and model Lo Hesse was the muse of German Avant-garde designer Walter Schnackenberg in the 1910s. She was known for her extravagantly costumed performances with famed dancer Joachim von Seewitz.

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.”

Kasjan’s ballet, 1920-1925

Kassian Golejzovsky, Kasjan’s ballet. Poster, first half of the 1920s. Pencil, collage, white lead on plywood. [K. Golejzovskij, Il balletto di Kasjan K. Golejzovskij, manifesto, metà anni venti. Matita, collage, biacca su compensato]. | src Nicoletta Misler: L’Arte del Movimento in Russia 1920-1930

Tanz : Foto (1990-1991)

Poster from the exhibition: Tanz : Foto at Museum des 20. Jahrhunderts. Dec. 1990 – Jan. 1991. (Ph. František Drtikol) | src MutualArt

Drtikol exhibition, 1970s

Fotograf František Drtikol / Tvorba z let 1903 – 1935, Uměleckoprůmyslové Muzeum, Praha, Prosinec 1972 – Únor 1973
Photographer František Drtikol / Works from 1903 – 1935, Museum of Decorative Arts In Prague, December 1972 – February 1973
poster design: Unknown Artist, 1972 | src Josef Square
From: Exhibition catalogue: “Frantisek Drtikol Works between 1903 and 1930” at the UMPRUM Museum Prague December 1972 – February 1973. | src Abebooks

Болт ~ The Bolt (1931)

Болт ~ The Bolt (1931). Inside the prop studio of the Pushkin Theater, where the costume of the Social-Democrat was taking shape. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src GRAD ~ Gallery for Russian Arts and Design (London)
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times