Nyota Inyoka in dance costume

Cambodian dancer Nyota Inyoka (1896-1971) in stage costume, ca. 1915. (Photo by Photo12/Universal Images Group) | src Getty Images
Cambodian dancer Nyota Inyoka (1896-1971) in stage costume, ca. 1915. (Photo by Photo12/Universal Images Group) | src Getty Images
Cambodian dancer Nyota Inyoka (1896-1971) in stage costume, ca. 1915. (Photo by Photo12/Universal Images Group) | src Getty Images

Nyota Inyoka, ca. 1915

Nyota Inyoka (1896-1971), Cambodian dancer, in stage costume, ca. 1915. (Photo by Photo12/Universal Images Group) | src Getty Images

Stacia Napierkowska, ca. 1920

Mlle. Stacia Napierkowska, l'étoile de Danse et du Cinéma qui trimphe au Palace. La Rampe, 16 Set. 1923. | src BnF ~ Gallica
Mlle. Stacia Napierkowska, l’étoile de Danse et du Cinéma qui trimphe au Palace. La Rampe, 16 Set. 1923. | src BnF ~ Gallica
Stacia Napierkowska. Photo X. Editions Pathé Frères. | src cinema postcards

Carina Ari with two dancers, 1921

Dancer Carina Ari with two colleagues from the Swedish Ballet in the spring sun in front of (or actually under) four of the Swedish Ballet’s huge posters. The photo was probably taken during the company’s first tour in Spain in 1921. In the background are several of the Swedish Ballet’s color posters, drawn by Pierre Mourgue, Orsi and Eldsten. • src Dansmuseet’s Instagram
Various posters for the Svenska Baletten (Ballets Suédois), ca. 1920. | src Dansmuseet

Marja Björnström-Ottelin

Marja Björnström-Ottelin, foto: Jan de Meyere. | src Dansmuseet • IG
Marja Björnström-Ottelin, foto: okänd. | src Dansmuseet on IG
Marja Björnström-Ottelin, foto: P. Delbo, Paris. | src Dansmuseet on IG
Marja Björnström-Ottelin, foto: Jan de Meyere. | src Dansmuseet on IG

Visions fugitives, Nºs 10-11

Kasyan Yaroslavich Goleizovsky’s avant-garde choreography of Prokofiev’s Visions fugitives, Nºs 10-11 (Ridicolosamente, Con vivacità) for his own company, the Moscow Chamber Ballet, in 1922. The configuration of the bodies is architectonic, like so much art of the time, and acrobatic. The avant-garde costume design was adapted to the new dispositions of the body. | src The Russian Art of Movement review

Marche Fúnebre, 1921

A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler: The Russian Art of Movement 1920-1930, page 211. | src Karl Toepfer

Revue de la Danse, 1948

Serge Lido :: Yvette Chauviré. Revue de la Danse, Mars 1948. | src CND ~ Centre national de la danse ~ Médiathèque
Danseuses anglaises (Cirque d’Été, 1894). Revue de la Danse, Mars 1948. | src CND ~ Centre national de la danse ~ Médiathèque
Les Ballets des Champs-Elysées au Caire. Revue de la Danse, Mars 1948. | src CND ~ Centre national de la danse ~ Médiathèque
Les Mirages, choréographie de Serge Lifar. Revue de la Danse, Mars 1948. | src CND ~ Centre national de la danse ~ Médiathèque

Lotte Neelsen: Tanzkunst

12 Akt-Entwürfe aus der Tanzkunst von Lotte Neelsen. Verlag: Waldemar Heldt, Hamburg, n.d. [1924]. The twelve photographs were taken in the studio of W. Paulsen in Hamburg. Neelsen’s images presents the dancer in a studio setting against the prevailing tendency at the time in Germany to see naked dancing as an open air activity. | src Voewood Rare Books
Verkündung. 12 Akt-Entwürfe aus der Tanzkunst von Lotte Neelsen. Verlag: Waldemar Heldt, Hamburg, n.d. [1924]. | src Voewood Rare Books
Studie. 12 Akt-Entwürfe aus der Tanzkunst von Lotte Neelsen. Verlag: Waldemar Heldt, Hamburg, n.d. [1924]. | src Voewood Rare Books
Sonnensfrahlen. 12 Akt-Entwürfe aus der Tanzkunst von Lotte Neelsen. Verlag: Waldemar Heldt, Hamburg, n.d. [1924]. | src Voewood Rare Books