Martin Munkácsi :: Tänzerin und Schauspielerin Dinah Grace bei einer Übung (Dinah Grace at a practice), 1933. Erschienen: Die Dame 26/1933. Fotografie: Martin Munkacsy. | src Getty ImagesMartin Munkácsi :: Tänzerin und Schauspielerin Dinah Grace macht einen Handstand auf einer Bühne (performing a handstand on stage), 1933. Erschienen: Die Dame 26/1933. Fotografie: Martin Munkacsy. | src Getty Images
Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty ImagesMartin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images
Laure Albin-Guillot ~ Danseuse acrobatique, 1937. Gelatin silver print. | src Heritage AuctionsLaure Albin Guillot (née Laure Meffredi) ~ Étude de nus, ca. 1935. Tirage argentique d’époque signe au crayon en bas a droite. Indications au crayon pour une reproduction au verso. | src Leclere maison de ventesLaure Albin-Guillot ~ Danseuse acrobatique, 1937. Gelatin silver print. | src Heritage Auctions
Sasha ~ Alexander Stewart :: A dancer dressed in an ancient Egyptian costume and helmet during Lady Newnes Historical Egyptian Matinée at London’s Hippodrome, 29th May 1930. (Hulton Archive) | src Getty Images
George Rinhart :: Waneya, world-renowned acrobatic dancer, in a most difficult pose. One can almost understand how Waneyo gets into these queer positions, but how does she get out of them? Undated photograph, circa 1920. (original caption) | src Getty Images
Nina Leen :: Dance masks (Margaret Severn’s masks), 1930s (?). Dancer Margaret Severn was most famous for using more than a dozen different W.T. Benda masks in The Greenwich Village Follies of 1921. | src Life magazine hosted by Google
W. G. Fitz (*) :: Javanese dance. Cleveland, USA, 1916. Vintage gelatin silver print, calligraphed in pencil at the top of the image: «Danse javanesque». | src Ader (*) Grancel Fitz or W.G. Fitz, a Philadelphia pictorialist that published a review [“A Few Thoughts on the Wanamaker Exhibition”] of the Wanamaker Exhibition on Camera 22, April 1918, was a well known photographer in the advertising world in the 1930s.