Skoronel by Hänse Herrmann

Vera Skoronel, Foto: Hänse Herrmann © Universitätsbibliothek Leipzig | src Georg Kolbe Museum

Organized by Georg Kolbe museum, in the framework of “Die absoluten Tänzerinnen”, available on Spotify (Episode 7)
“Vera Skoronel, a true exceptional talent of modern expressive dance. She was confident, charismatic, her enthusiasm infectious. “Not-to-dance – does that even exist?” she once asked, purely rhetorically, of course.” quoted from source

Hänse Herrmann :: Portät von die Tänzerin und Choreographin Vera Skoronel (1906-1932; eigentlich Vera Laemmel, Vera Lämmel) um 1928. Aufnahme: Hänse Herrmann. Originalaufnahme im Archiv von Ullstein Bild. | src Getty Images

Karsavina, ca. 1908. Autochromes

Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition "Quicksilver Brilliance: Adolf de Meyer Photographs" at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition “Quicksilver Brilliance: Adolf de Meyer Photographs” at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition "Quicksilver Brilliance: Adolf de Meyer Photographs" at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition “Quicksilver Brilliance: Adolf de Meyer Photographs” at the Met, direct link
Baron Adolph de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. | src l’œil de la photographie
Ballet Dancer Tamara Karsavina (1885-1978), photograph by Baron Adolph de Meyer of Kassavana, 1908. Museum nº PH.1234-1980. © Estate of Baron de Meyer | V&A museum

Jako-Mica and dance partner

Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner in Harlequin costume at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner in Harlequin costume at Casino de Paris, 1940s | src Abebooks and Zvab

Jako-Mica by Studio Piaz (1940s)

Piaz Studio :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks and Zvab
Piaz Studio :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Zvab and Abebooks
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Zvab and Abebooks
Piaz Studio :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Zvab and Abebooks
Piaz Studio :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks and Zvab
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Zvab and Abebooks

Two Sisters in Terpsichore

Jan de Meyere :: Två Systrar i Terpsichores Tjänst. Rachel och Maria Björnström-Ottelin. Scenen, 1927. | src Projekt Runeberg
Jan de Meyere :: Två Systrar i Terpsichores Tjänst. Rachel och Maria Björnström-Ottelin. Scenen, 1927. | src Projekt Runeberg
Jan de Meyere :: Två Systrar i Terpsichores Tjänst. Rachel och Maria Björnström-Ottelin. Scenen, 1927. Full page scan. | src Projekt Runeberg

Ebon Strandin as Anitra, 1927

Ebon Strandin som Anitra i Peer Gynt; Jaeger, hovfoto. Scenen, 15 Februari 1927. | src Scenen. Tidskrift för teater, musik och film at Projekt Runeberg
Ebon Strandin som Anitra i Peer Gynt; Jaeger, hovfoto. Scenen, 15 Februari 1927. | src Scenen. Tidskrift för teater, musik och film at Projekt Runeberg
Ebon Strandin som Anitra i Peer Gynt; Jaeger, hovfoto. Scenen, 15 Februari 1927. Full page scan. | src Scenen. Tidskrift för teater, musik och film at Projekt Runeberg

Payne in Confetti (Nelson revue)

Nina Payne (holding a mask) in costume for the Nelson revue “Confetti”, by Studio Manassé (1910s) | src liveinternet.ru
Nina Payne In costume for the Nelson revue “Confetti”, by Hill, ca. 1916 | src HZG
Dancer Nina Payne with a dance mask in the Nelson revue “Confetti”, Nelson Theater Berlin, 1925. Photo: Atelier Binder 1925 (Photo by Atelier Binder) | src Getty Images
Tänzerin Nina Payne (USA) in einer interessanten Tanzmaske in der Nelson-Revue “Confetti”, Nelson Theater Berlinerschienen Nr. 42/1925. Foto: Atelier Binder | src Getty Images
Atelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928
Atelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928
Atelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928
Atelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928

Juliet en danseuse espagnole

Man Ray (Emmanuel Radnitzky, 1890-1976) :: Juliet en danseuse espagnole, vers 1945 | src Centre Pompidou
Man Ray (Emmanuel Radnitzky, 1890-1976) :: Juliet en danseuse espagnole, vers 1945 | src Centre Pompidou
Man Ray (Emmanuel Radnitzky, 1890-1976) :: Juliet en danseuse espagnole, vers 1945 | src Centre Pompidou
Man Ray (Emmanuel Radnitzky, 1890-1976) :: Juliet en danseuse espagnole, vers 1945 | src Centre Pompidou
Man Ray (Emmanuel Radnitzky, 1890-1976) :: Juliet en danseuse espagnole, vers 1945 | src Centre Pompidou
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The Falling (dancers), 1930s-1990s

Birgit Åkesson, foto: okänd. | src Dansmuseet on IG
Pierre Boucher :: Serge Lifar dans la Chute d’Icare, 1938. | src Centre Pompidou
Tiziana Luxardo :: La caduta dell’angelo, Teatro dell’Opera, 1996. Stampa digitale da pellicola. Firmata a penna bianca sull’immagine. | src Minerva Auctions

Clotilde von Derp by Watson

George Spencer Watson (1869-1934) :: Portrait of Clotilda [sic] von Derp (Frau Sakharoff), 1912. Signed, inscribed and dated ‘Clotilda [sic] von Derp / [Frau Sakharoff.] / Dancer 1912 / by George Spencer Watson R.A.’ (on the backboard). Oil on canvas laid down on board. | src Christie’s