Rufen · Stimme des Frühling, 1919

Tanz ‘Rufen · Stimme des Frühling’ | Dance ‘Calling · Voice of Spring’, Eva Maria Deinhardt und Edith Sutor, um 1919-1920. | src Loheland-Stiftung Archiv via Was braucht die neue Frau? and Bauhaus 100

Dancer E. Kupferová, 1922

František Drtikol (1883-1961) :: Dancer Ervína Kupferová, 1922. Vintage gelatin silver print on matte paper. Blind stamp on recto lower right “COPYRIGHT DRTIKOL PRAGUE”. Mounted on board. | src Aukční dům Zezula
František Drtikol (1883-1961) :: Ervina Kupferova en danseuse grecque, 1920s. Tirage argentique avec cachet à sec en bas à droite: “COPYRIGHT DRTIKOL PRAGUE”. | src Deburaux · du Plessis

Josephine Baker portrait

Harcourt Studio, Paris :: African American dancer and singer Josephine Baker, a head and shoulders pose, wearing an attractive costume. Signed in bold dark ink ‘Josephine Baker’. Undated. | src Drouot

Tanagra, Gnossiennes 2-3, 1927

Unknown photographer. Martha Graham in Tanagra. Trois Gnossiennes (Erik Satie’s Gnossiennes 2 & 3), February 1927. | src and hi-res Library of Congress

Dancer with pole, 1920s

Lotte Eckener (Atelier Alexander Binder) :: Tänzerin mit Stange, 1920s. | src Coll. Dorothea Cremer-Schacht via Fotografie am Bodensee

“Lotte Eckener was born in Friedrichshafen in 1906 to the famous airship pioneer Hugo Eckener. In 1924 she moved to Munich to study at the Bavarian State School of Photography. Her first professional stop was the renowned Atelier Alexander Binder on Kurfürstendamm, where the great and rich of the golden 20s came and went. She portrayed famous stars like Josef von Sternberg, Helene Thimig and Anny Ondra and took photographs for advertising orders.” quoted from source