Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman Work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin
Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin
Charlotte Rudolph :: Die Zeremonielle Gestalt 3. From: Die Verwandlungen der Mary Wigman (The Metamorphoses of Mary Wigman) by Kurt Linder, 1929. | src Zvab
A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927, within Nos. 102-24. Three photographic prints. Private collection | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927, within Nos. 102-24.
Photographer unknown, Stationary pose on the elbows, late 1920s. Manual for a course in artistic acrobatics. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs V. Tsvetaeva, Stationary pose on elbows, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva) for the Department of Circus and Variety Theatre at MGTT. Pencil on paper, initialled: “V. Ts.” src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Trude Fleischmann :: Mila Cirul and Julian Algo: Dance poses, 1926. Catalogue of the fourth “Art of Movement” exhibition, 1928, within Nos. 534-35. PKh (Collection of Pavel Khoroshilov, Moscow). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Franz Xaver Setzer :: Toni Birkmeyer als “Prinz Karneval” Phot. Setzer, Wien. “Schöne Kostüme”. Das Leben, Heft 9, März 1927. | src Universitätsbibliothek Heidelberg
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique RolJunon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. [Full image] | src Agence photographique Rol