Category: dance, Tanz, danse, danza, dansa, tansii

Nini Theilade, 1931-1932

Fra Nini Theilades egen turné (1931-1932), iført Kjeld Abells kostume. (foto Arkiv Skolerne i Oure Sport & Performning Arts)
From Nini Theilade’s own tour (1931-1932), wearing Kjeld Abell’s costume. | src DANS ~ Dansemagasinet

Hilda Beyer, June 1913

Arnold Genthe :: Dancer Hilda Beyer, June 27th, 1913. Glass negative. Library of Congress | src Flickr

Itta Penzo · Bridge on demi-point

N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

Itta Penzo in the role of Taiakh

N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler's “The Russian Art of Movement 1920-1930”
N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930”
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

The Russian Art of Movement

Nicoletta Misler: The Russian Art of Movement 1920-1930 Umberto Allemandi & Co. (January 2018)
One of the many mages from the book that represent the role of movement in dance, in gymnastics, in Russian Avant-garde. The book is the result of research that began in the late 1970s and culminated in the 2011 publication in Moscow of V Natsjale Bilo Telo (In the Beginning was the Body), on the 1920s experiments in movement in the Soviet Union. | src Allemandi