The dancer Anton Birkmayer. Published in La Danse, November 1922. Front cover | src CND ~ MédiathèqueThe dancer Anton Birkmayer. Published in La Danse, November 1922 | src CND ~ Médiathèque
«La danseuse bosnienne Moa Mandu vient de donner un concert de danses à la Comédie des Champs-Elysées. La qualité savamment barbare de sa danse et l’originalité de ses costumes drapés avec art ont beaucoup plû.» | «The Bosnian dancer Moa Mandu has just given a dance concert at the Comédie des Champs-Elysées. The skilfully barbaric quality of her dance and the originality of her artfully draped costumes were very popular.» Published in La Danse, November 1922. | src CND ~ Médiathèque .
Karel Váňa :: Arnoštka Coufalová (as Fatmé) in Bajaja Ballet, 1916 (Choreographed by Augustin Berger, according to the model of Jindřich Kaan from Albeşti). | src Prague National Theatre
František Drtikol :: The dancer Ervína Kupferová in The Fire Drum, 1922. “The Fire Drum” has an extravagant subtitle “African drama full of fire, color, rumble, fragrance.” Its author was the no less extravagant Italian writer Filippo Tommaso Marinetti. For its time it was an ultra modern production, the sets were designed by Italian artist Enrico Prampolini. Although the photographer is not identified, its author was most likely František Drtikol (Kupferová’s husband). | src Prague National Theatre
Pierre Apers :: Gymnast and dance teacher Irène Popard, 1925-1930. Signed on the negative in the photo on the lower right corner. | src catawiki
Pierre Apers :: Gymnast and dance teacher Irène Popard (and other), 1925-1930. Signed on the negative in the photo on the lower right corner. | src catawiki