‘Primula Vera’ (Lo Hesse), 1920

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.” (quoted from source)

Lo Hesse, Rollenporträt

Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien

German dancer and model Lo Hesse was the muse of German Avant-garde designer Walter Schnackenberg in the 1910s. She was known for her extravagantly costumed performances with famed dancer Joachim von Seewitz.

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.”

Kasjan’s ballet, 1920-1925

Kassian Golejzovsky, Kasjan’s ballet. Poster, first half of the 1920s. Pencil, collage, white lead on plywood. [K. Golejzovskij, Il balletto di Kasjan K. Golejzovskij, manifesto, metà anni venti. Matita, collage, biacca su compensato]. | src Nicoletta Misler: L’Arte del Movimento in Russia 1920-1930

Les Sakharoff, 1920s-1930s

Clotilde & Alexandre SAKHAROFF. Programme, late 1920s – 1930s. (dessin: 1917) | src interencheres
Alexandre et Clotilde SAKHAROFF. Programme, 1930s. (dessin: 1935) | src interencheres

Clotilde et Alexandre Sakharoff

Clotilde et Alexandre SAKHAROFF. Programme, 1930s. | src interencheres
Clotilde et Alexandre SAKHAROFF. Programme, late 1920s – 1930s. (Dessin: N.C.) | src interencheres

Ida Rubinstein in Shéhérazade

Eugène Druet (1867-1916) :: Ida Rubinstein da ns Shéhérazade, France, 1910. Tirage au gélatino-bromure d’argent. | src Lumière des roses – 16e Livraison

Grube und Kreutzberg, 1927

«Das Tänzerpaar Harald Kreutzberg und Elisabeth Grube mit dem Komponisten Friedrich Wilckens. Phot. Horowitz, Wien.» Tempo, 1927. | src Universität Erfurt
«Das Tänzerpaar Harald Kreutzberg und Elisabeth Grube mit dem Komponisten Friedrich Wilckens. Phot. Horowitz, Wien.» Tempo, 1927. | src Universität Erfurt