



These studies, titled Still-life (Nature morte; Stillleben), are halftones printed from the original Autochrome dating from 1908; both were published in “Colour Photography and other Recent Developments of the Art of the Camera” a British companion along with “Art in Photography”, to Camera Work, the important American photo secessionist magazine published by Alfred Stieglitz. | src eBay & eBay







![Gertrude Käsebier :: Portrait of Evelyn Nesbit (Miss N.). Published in Camera Work, Nº 1, 1903. Portrait of Evelyn Nesbit [three-quarter length portrait, seated, wearing an off-the-shoulder dress], 1902. The Toledo Museum of Art | src NYTimes Lens Journal](https://unregardoblique.com/wp-content/uploads/2018/08/tumblr_pctxijdvx01rp66ruo1_1280.jpg)
![Gertrude Käsebier (1852-1934) :: [Evelyn Nesbit about 1900 at a time when she was brought to the studio by Stanford White] Evelyn Nesbit, three-quarter length portrait, seated, wearing an off-the-shoulder dress. Glass negative. | src Library of Congress](https://live.staticflickr.com/65535/52157663063_19b8a604b3_o.png)
![Gertrude Käsebier (1852–1934) :: Evelyn Nesbit, 1902 [Carbon print?]. | src Princeton University Art Museum](https://live.staticflickr.com/65535/52156641737_cf6781edbc_o.jpg)

![Gertrude Käsebier [Des Moines, Iowa, USA, 1852 - New York, USA, 1934] :: Portrait (Miss N.). From: Camera Work No. 1, January 1903. Date: 1898 (circa) / Printed circa 1903. Technique: Photogravure on Japanese paper. | src Museo de Arte Reina Sofía](https://live.staticflickr.com/65535/52158329585_5d98ae81e4_o.jpg)





