

On left page: “Despair” contact print from original negative (neutral background)
On right page: the ‘manipulated’ image: “Highlights on shoulder and on background introduced on paper negative” (Transparency-paper-negative-method)
images that haunt us


On left page: “Despair” contact print from original negative (neutral background)
On right page: the ‘manipulated’ image: “Highlights on shoulder and on background introduced on paper negative” (Transparency-paper-negative-method)




Bröyer, one of the pioneers of modern dance in Finland, created her own controversial style, bröyerism, or Bröyer-style in the 1920s and 1930s, in which dance was accompanied only by poetry recitation, an art form that, in it’s time, had a conflicted reception.
From: Poem – Vision – Flush: A dancedramatic series & Poem – Vision – Intoxication: A dance drama series in which poems used by Bröyer meet contemporary poetry and influences from her movement language are integrated into contemporary dance. Venues: Helsinki City Museum and Burgher’s House Museum






![Charles Adrien :: [Étude de nu], 1907-1930. Plaque de verre Autochrome. Images en ligne de la Société française de photographie](https://unregardoblique.com/wp-content/uploads/2022/11/1-ladies-in-red-autochromes-1.jpg)
![Georges Balagny :: [Femme assise sur un sofa, voile rouge sur la tête]. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie](https://live.staticflickr.com/65535/52066621215_a66d5df47f_o.png)
![Paul Bergon :: [Femme posant les seins dénudés], 1907-1912. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie](https://live.staticflickr.com/65535/52066620605_e91b4186a5_o.png)
![Paul Bergon :: [Femme posant, allongée devant un fenêtre, les seins nus], 1907-1912. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie](https://live.staticflickr.com/65535/52066374524_5c494e6c4d_o.png)


