Category: bending backwards

Wigmans Raumgestalt · 1929

Charlotte Rudolph :: Raumgestalt. «Die neue Wigman-Schule im Berlin». Die Bühne 1929, Heft 226, Seite 38. | src ÖNB
Charlotte Rudolph :: Raumgestalt. «Die neue Wigman-Schule im Berlin». Die Bühne 1929, Heft 226, Seite 38. | src ÖNB
Charlotte Rudolph :: Mary Wigman in Raumgestalt. Scherl’s Magazin Band 6, H.1, Januar 1930
Charlotte Rudolph :: Mary Wigman in Raumgestalt. Scherl’s Magazin Band 6, H.1, Januar 1930

Mary Wigman in a dance scene, 1936

Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann). Ganzkoerperaufnahme, in einer Tanzszene, 1936. | Dancer, dance teacher ad choreographer Mary Wigman (b. Marie Wiegmann). Full body shot, in a dance scene [scene maybe Pastorale from Shifting Landscape, 1929], 1936. | src and hi-res Getty Images

Hélène Vanel in l’Hystérie, 1938

Maroussia Vossen :: Hélène Vanel in l’Hystérie, at the press launch of the International Surrealist Exhibition in January 1938. From Rhythm & Colour, 2018. | src Inside the Private Diary of an Avant-Garde Dancer

Que cae ~ Falling, 1980

Manuel Álvarez Bravo ~ Que cae (‘That Falls’), 1980. Palladium print, nº 8 from the portfolio “Diez Desnudos” (1981) | src AIC ~ Chicago Art Institute
Manuel Álvarez Bravo (1902-2002) ~ Que cae, 1980 (Falling, also ‘That Falls’) | src Dallas Museum of Art on Artsy

Itta Penzo · Bridge on demi-point

N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut