Jacob Olie jr. ~ Zonsondergang boven zee | Sunset over the sea, ca. 1913 – ca. 1927. Autochrome | src RijksmuseumJacob Olie jr. ~ Zonsondergang boven een landschap | Sunset over a landscape, ca. 1913 – ca. 1927. Autochrome | src RijksmuseumJacob Olie jr. ~ Zonsondergang boven een landschap | Sunset over a landscape, ca. 1913 – ca. 1927. Autochrome | src RijksmuseumJacob Olie jr. ~ Zonsondergang boven zee | Sunset over the sea, ca. 1913 – ca. 1927. Autochrome | src Rijksmuseum
Mervyn O’Gorman :: Portrait of Christina wearing a red cloak, 1913. Lumière Autochrome. | src The Dawn of Colour: Science and Media MuseumMervyn O’Gorman ::Christina on the Beach, July 13th, 1913. An evocative portrait taken on the beach at Lulworth Cove. Christina’s choice of swimming costume was a fortuitous one since red was a colour which the autochrome process captured particularly well. | src Science and Media Museum BlogA red beach dress. Dreamlike snaps of a young woman in red posing at Lulworth Cove, Dorset, in 1913 have now been revealed as some of the earliest surviving colour photographs. Autochrome. | src CNNMervyn O’Gorman ::Christina on the Beach, 1913. The comparatively long exposure time has given the sea a glassy quality and the large aperture setting and narrow depth of field has put Durdle Door, in the background, into soft focus. | src Science and Media Museum BlogMervyn O’Gorman :: Christina in a red beach dress at Lulworth Cove, Dorset, in 1913. Autochrome. | src CNN via FlickrMervyn O’Gorman :: Christina in a garden surrounded by foliage and flowers, April 17th, 1912. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src FlickrMervyn O’Gorman :: A portrait of Christina, gazing thoughtfully into an ornamental pond. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src FlickrMervyn O’Gorman :: Christina O’Gorman with Chinese Wisteria, ca. 1912. Autochrome. (detail of the photograph below) | src CNNMervyn O’Gorman :: Christina O’Gorman (standing) in the garden leaning on wall with what seems to be a Chinese Wisteria, ca. 1912. Lumière Autochrome. | src FlickrMervyn O’Gorman :: Christina O’Gorman in the garden leaning on wall with what seems to be a Wisteria sinensis, ca. 1912. Lumière Autochrome. | src Flickr
Leendert Blok (1895-1985) :: Tulips. Example of early color photography using the Autochrome process, circa 1930. Nationaal Archief: Collectie Spaarnestad. | src Het Parool
George H. Seeley (1880 – 1955) :: Flowers in a Vase, ca. 1910, autochrome. | src Swann Galleries via Christie’sGeorge H. Seeley :: [untitled] undated Autochrome. Private collection of John Wood. LL/8978 | src Luminous Lint
Karl Struss :: Still Life with Pewter Vase, New York, circa 1910. Dye transfer print printed from Struss’ autochrome. | src Swann GalleriesKarl Struss (1886-1981) :: Still Life with Pewter Vase, New York, ca. 1910. Additive color screen plate. | src Amon Carter MuseumKarl Struss :: Still Life with Pewter Vase, New York, ca. 1910. Dye imbibition print from the original Autochrome, printed ca. 1981. | src Amon Carter Museum
Inscription on print verso:
signed c.: Karl Struss / numbered: 44
stamped: THIS IS SET #4 \ A DYE-TRANSFER PRINT PRODUCED \ FROM THE ORIGINAL AUTOCHROME \ IN AN EDITION OF 20.
Leendert Blok :: Close up of a red tulip,Tulipa Samoa. Autochrome. Text accompaning picture: Samoa Lil. Flow.Tulip S.A de Graaff en & Konijnenburg. [Nederland, omstreeks 1927]. | src Nationaal Archief ~ Collectie Spaarnestad
Leendert Blok (1895-1986) :: Iris, Arthemius, ca. 1927. Autochrome. | src Box GalerieLeendert Blok :: Flowers, Flower bulbs. Irises, ca. 1930. Example of early color photography using the Autochrome process. | src Nationaal Archief ~ Collectie Spaarnestad