Karsavina, ca. 1908. Autochromes

Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition "Quicksilver Brilliance: Adolf de Meyer Photographs" at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition “Quicksilver Brilliance: Adolf de Meyer Photographs” at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition "Quicksilver Brilliance: Adolf de Meyer Photographs" at the Met, direct link
Adolf de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. From the exhibition “Quicksilver Brilliance: Adolf de Meyer Photographs” at the Met, direct link
Baron Adolph de Meyer :: Tamara Karsavina, ca. 1908. Autochrome. | src l’œil de la photographie
Ballet Dancer Tamara Karsavina (1885-1978), photograph by Baron Adolph de Meyer of Kassavana, 1908. Museum nº PH.1234-1980. © Estate of Baron de Meyer | V&A museum

Jules Antoine group portraits

Jules Antoine (1863-1948) :: Groupe d’enfants avec une nourrice devant un filet de tennis, raquettes à la main. Positif couleur transparent; Support verre; Procédé Autochrome, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe devant une cabine de plage, Marthe Antoine en arrière-plan, le second mari de Marie-Louise Roussel-Bruyère à gauche, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe assis sur une dune : Marthe Antoine à droite, Jean Antoine à gauche, un petit garçon au centre entre deux femmes, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe portrait. Marthe et Jean Antoine avec leurs cousins devant une cabine de plage. Positif couleur transparent; Support verre; Procédé Autochrome. 1905-1912. | src Les Fonds de la MAP

J. Antoine’s autochrome sunsets

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Jules Antoine (1863-1948) :: Coucher de soleil sur la plage dans des tonalités rose-orangés, la mer à l’horizon, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la mer sous un ciel nuageux, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, la mer à l’horizon, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, la mer à l’horizon, la silhouette d’un homme se détachant sur le banc de sable, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la mer, falaises au premier plan, ciel nuageux en arrière-plan, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la…

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Tulips, ca. 1911 (Clara Sipprell)

Clara Sipprell (1885-1975) :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum
Clara E. Sipprell :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum of American Art

(*) Additive Color Screen Plate or Screen Plate were known commonly by the product name: Autochrome, Filmcolor, Lumicolor, Alticolor. Used mainly between 1907 and 1935. Initially it has a glass support; later products on film supports. This process was the first fully practical single-plate color process. The Autochrome plate or Screen plate could record both saturated and subtle colors with fidelity, and since the screen and the image were combined, there were no registration problems. Nonetheless, it had its drawbacks: the exposure times were long, and the processed plates were very dense, transmitting only less than the 10% of the light reaching them.

The result is a soft, subdued, dreamy colored image. And grainy. Although the starch grain filters were microscopically small their random distribution meant that inevitably there would be clumping of grains of the same color.

Flower studies by De Meyer

Baron Adolph de Meyer :: Flower Study, 1908. Autochrome. (Royal Photographic Society Collection) | src The Dawn of Colour at Science and Media Museum
Baron Adolf de Meyer :: Still Life # 3, 1908. Halftone printed from an Autochrome. | src eBay
Baron Adolf de Meyer :: Still Life # 3, 1908. Halftone printed from an Autochrome. | src eBay
Still Life, ca. 1908. From an Autochrome by Baron A. de Meyer. From: “Colour Photography and other Recent Developments of the Art of the Camera”. Charles Holme ed., 1908. | src internet archive
Baron Adolf de Meyer :: Still Life, 1908. Halftone printed from an Autochrome. | src eBay
Baron Adolf de Meyer :: Still Life, 1908. Halftone printed from an Autochrome. | src eBay

These studies, titled Still-life (Nature morte; Stillleben), are halftones printed from the original Autochrome dating from 1908; both were published in “Colour Photography and other Recent Developments of the Art of the Camera” a British companion along with “Art in Photography”, to Camera Work, the important American photo secessionist magazine published by Alfred Stieglitz. | src eBay & eBay

Cronquist’s portraits, 1920s

Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 – 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 – 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 – 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
Gustaf Wernersson Cronquist (Sverige, 1878 – 1967) :: Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet