Kasyan Yaroslavich Goleizovsky’s avant-garde choreography of Prokofiev’s Visions fugitives, Nºs 10-11 (Ridicolosamente, Con vivacità) for his own company, the Moscow Chamber Ballet, in 1922. The configuration of the bodies is architectonic, like so much art of the time, and acrobatic. The avant-garde costume design was adapted to the new dispositions of the body. | src The Russian Art of Movement review
Photographe anonyme. L’exploratrice Mrs. T. A. Glover avant sa disparition lors d’une expédition au lac Tchad, 1926. Tirage argentique. | src Lumière des roses: 16e livraison
Jenny Hasselqvist as Marit in Mauritz Stiller’s Johan (1921), based on the novel Juha by Juhani Aho. | src IMdBJenny Hasselquist in Mauritz Stiller’s film Johan, 1921, photo from Hasselquist’s archive. Jenny Hasselquist i Mauritz Stillers film Johan, 1921, foto ur Hasselquists arkiv. | src Dansmuseet · IG
Jenny Hasselquist i filmen Brennende Grenze (Aftermath, aka The Jackals), 1926, foto: okänd. | src Dansmuseet on IG
Jacqueline Jako-Mica (Nicole Chaumot), dancer at Casino de Paris, ca. 1940sJacqueline Jako-Mica (Nicole Chaumot), dancer at Casino de Paris, ca. 1940sAnonymous Studio Photos. Jacqueline Jako-Mica (Nicole Chaumot), dancer at Casino de Paris in the Troops of Carla Conté, circa 1940s sources Zvab and Abebooks