Max Dupain · Angels Trumpets

**Max Dupain** (1911–1992) ~ Salvadorium Dalii, 1983 | src Art gallery NSW

**Max Dupain** (1911–1992) ~ Angels Trumpets, 1983 | src Max Dupain Photography

Tarkovsky Polaroids

Andrei Tarkovsky (1932-1986) on the set of ‘Nostalghia’, 6 November 1982; inscribed ‘Bagno Vignoni, 6.XI.82’ (on verso). Polaroid | src Bonhams

Mapplethorpe · Poppies

**Robert Mapplethorpe ~** Poppy, 1988 © R. Mapplethorpe Foundation | src Fragile Beauty exhibition at V&A museum

**Robert Mapplethorpe** (1946-1989) ~ Poppy, 1988. Dye transfer print | src flickr

**Robert Mapplethorpe** (1946-1989) ~ Poppy, 1988; toned photogravure; 1988, signed, dated and numbered | src 1st dibs

**Robert Mapplethorpe** (1946-1989) ~ Poppy, 1988. Dye transfer print | src mutualart

Petra (nude bent back) by Vogt

**Christian Vogt ~** Petra, 1981 | src Collezione Marone

Nude with flowers by Arbeit

**Mark Arbeit ~** Lily Back, 1997. Gelatin silver print on Hahnemühle Baryta paper | src artsy

**Mark Arbeit ~** Iris, 1986. Gelatin silver print on Hahnemühle Baryta paper | src artsy

Wilkins selfportrait as a woman

**Tom Wilkins ~** Untitled (selfportrait), 27.03.1981. Polaroid with legend. | src Paris Photo 2023

Courtesy Christian Berst Art Brut : Qui est Tom Wilkins ? C’est la question à laquelle Sébastien Girard essaie de répondre depuis 2011, date à laquelle il fait l’acquisition de 900 Polaroïds énigmatiques, édités en 2017 sous le nom My TV Girls. Cette série de captations télévisuelles légendées par son auteur met en scène des femmes et se termine par le seul et unique autoportrait de la série où Tom Wilkins, se représente en femme. | src ODLP ~ l’œil de la photographie

Visual dialogue · Tornadoes

Tornado near Jasper, Minnesota, July 8, 1927 taken by 15 year old Lucille Handberg | src Billy Parrot Collection (view on Fb)

Two theories: the second tornado snapshot (on the bottom) had a Canedy’s Camera Shop 1927 date stamp on the verso. Canedy’s was in South Dakota and sold local souvenir snapshots (Bad Lands, Black Hills, etc…) between the 1920s – 1940s. It is also probable that when 15-year old Lucille Handberg took this photo her neighbor, who was an engineer, recognized its importance and sent copies to scientists around the country and these could be two of those. text adapted from source : Billy Parrot

Tornado near Jasper, Minnesota, July 8, 1927 taken by 15 year old Lucille Handberg

The images above this line are most probably scanned from newspapers of the time, we were not able to find the original source. The second image is from The Gallery of Natural Phenomena, where you can read more about the circumstances in which the photo was shot. [x]

Only the image below can be reached on the Library of Congress.

AWE-INSPIRING – This unusual photo of a South Dakota “twister” was made by Miss by Lucille Handberg at the risk of her life.
Published in New Britain Herald (New Britain, Conn.), August 6, 1928, page 14 | src Library of Congress

The classic photograph of a tornado taken near Jasper, Minnesota, on July 8, 1927 (Lucille Handberg) – Scan

Controversy arises : Jasper tornado of 1927 is, according to South Dakota Public Broadcasting (based on information from Siouxland Heritage Museums), the Sioux Falls tornado of 1932…

… view two images below.

The Deadly Sioux Falls Tornado of 1932. Siouxland Heritage Museums | src images of the Past

The Deadly Sioux Falls Tornado of 1932. Siouxland Heritage Museums | src South Dakota Public Broadcasting

Image of the *famous tornado* used on the cover of book ‘The Breath of God’ by Swami Chetanananda [作者] (1988) | src amazon

Image from the cover of book ‘The Breath of God’ by Swami Chetanananda, retrieved from internet archive

Cover of book ‘The Breath of God’ by Swami Chetanananda, retrieved from internet archive

Cover of *Tinderbox*, the seventh album by English rock band Siouxsie and the Banshees, released on 21 April, 1986

Cover design of the album *Stormbringer* by Deep Purple (1974)

Cover of *Bitches Brew*, a studio double album by jazz musician Miles Davis, released on 30 March, 1970

Lagrimas Negras · Saudek · 1989

Jan Saudek :: La Crimas Negras [# 103, model print], 1979-1989. Finished April 1982. From : Taroty series | src Galerie Art Praha

Jan Saudek :: [# 103, model print] [La Crimas Negras], Finished July 23rd, 1989. From : Taroty series

Cramérbaletten costume design

Kostymskiss till Husmodern. Häxan i Vindarnas Kulle, Cramérbaletten. Av Torkel Edenborg.
Costume sketch for Husmodern. The Witch in the Hill of the Winds, Cramér ballet. By Torkel Edenborg. | src Dansmuseet

Korp. Mask till en av fyra korpar från uppsättningen "Domardansen". Av Torkel Edenborg.
Raven. Mask for one of the four ravens from the "Judge's Dance" set. | src Dansmuseet — Korp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg.
Raven. Mask for one of four ravens from the “Judge’s Dance” set. | src Dansmuseet

Mask till "Drängen" från uppsättningen "Vindarnas kulle", Cramérbaletten. Av Torkel Edenborg.
Farmer. Mask for "Drängen / Farmer" from the set "The Hill of the Winds", Cramér ballet. | src Dansmuseet — Mask till “Drängen” från uppsättningen “Vindarnas kulle”, Cramérbaletten. Av Torkel Edenborg.
Farmer. Mask for “Drängen / Farmer” from the set “The Hill of the Winds”, Cramér ballet. | src Dansmuseet

'Cramer Baletten, Svenska Riksteatern', a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders — ‘Cramer Baletten, Svenska Riksteatern’, a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders

Kiss of Love by Erté (ca 1983)

Erté (Romain De Tirtoff) :: Kiss of Fire, ca. 1983. From Love and Passion Suite. DETAIL

Erté (Romain De Tirtoff) :: Kiss of Fire, ca. 1983. From Love and Passion Suite. — **Erté** (Romain De Tirtoff) :: Kiss of Fire, ca. 1983. [Detail]

Erté (Romain De Tirtoff, Russian/French, 1892-1990) color serigraph on paper with silver, gold, and red foil embossing titled “Kiss of Fire” from the artist’s Love and Passion Suite, numbered 61/300, published circa 1983. Depicts a partially nude male and a female couple in profile standing on a gold surface and dressed in red, orange, and purple flowing garments and headdresses reminiscent of flames, their arms resting on each other’s shoulders, against a black background with a black circular pattern embossed above. Numbered in white pencil, lower left below image, signed “Erte” in white pencil, lower right below image. | quoted from Case Fine Arts & Antiques