Francesca in color

Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman - Untitled, New York, 1979 [FW748] Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW748] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW750] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW749] | Victoria Miro Gallery – Venice 2020

Francesca’s nude self-portraits

Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1975-1978. Christen Sveaas’ Kunststiftelse. | Private Eyes @ Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | src Sotheby’s
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby's
Francesca Woodman ~ Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby’s

Shells and design, late 1970s

Karel Vaca :: Dívka s Mušlí (Girl with a shell), 1980. Vintage movie poster, offset print. Movie directed by Jiří Svoboda. | src Zezula
Karel Vaca (1919-1989) :: Dívka s Mušlí (Girl with a shell), 1980. Vintage movie poster, offset print. Movie directed by Jiří Svoboda. | src Zezula
Cymatium spengleri Perry. From "The shell: five hundred million years of inspired design" by Hugh Stix and Marguerite Stix, 1979. | src equator on IG
Cymatium spengleri Perry. From “The shell: five hundred million years of inspired design” by Hugh Stix and Marguerite Stix, 1979. | src equator on IG

Pomés, sobretot ‘de revés’

Leopoldo Pomés :: Imagen blanca, 1959. | src Fotocolectania
Leopoldo Pomés :: Imagen blanca, 1959. | src Fotocolectania
Leopoldo Pomés :: Sense títol. Portada per a la revista ‘Grua’ (1957) | src Quadern: Les obsessions de Leopoldo Pomés
Leopoldo Pomés :: Imagen blanca, 1959. | src photographic social vision
Leopoldo Pomés :: Imagen blanca, 1959. | src photographic social vision
Leopoldo Pomés :: Sense títol, 1975 [per a un anunci de ciment]. | src Ara Andorra
Leopoldo Pomés :: Sense títol, 1975 [pel calendari de ciments Freixa]. | src Ara Andorra

Elsa by Leopoldo Pomés

Leopoldo Pomés :: Elsa, 1971. From: 'Diaries' Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. From: ‘Diaries’ Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. Arxiu L. Pomés. | src Arles 2022 @ ODLP
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania

Ingrid Mueller by Nell Dorr, 1970

Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper. Each titled in ink, verso: Ingrid W. Mueller.
These photographs were taken by Nell Dorr at a river near the Albert Schweitzer Friendship House in Great Barrington, Massachusetts in the summer of 1970. | src Heritage Auctions
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper.
Nell Dorr (American, 1895-1995) :: En Plein Air. Nudes of Ingrid Mueller (5 works), 1970. Gelatin silver print on Agfa paper. Each titled in ink, verso: Ingrid W. Mueller.
These photographs were taken by Nell Dorr at a river near the Albert Schweitzer Friendship House in Great Barrington, Massachusetts in the summer of 1970. | src Heritage Auctions

Sipprell by Sipprell, 1900-1970

Francis J. Sipprell (1878-1958) :: Portrait of Clara E. Sipprell, ca. 1910. Platinum print. Burchfield Penney Art Center. | src l’œil de la photographie (broken link; linked to l’œil homepage)
Francis J. Sipprell (1878-1958) :: Clara E. Sipprell (1885-1975), ca. 1910. Platinum print. | src Burchfield Penney Art Center
Clara Sipprell :: [Fragment of portrait of Clara Sipprell], ca. 1900. Gelatin silver print. Clara E. Sipprell Collection. There is no mention on source whether this photograph was taken by Clara or Francis. | src Amon Carter Museum of American Art
Clara Sipprell :: Lucy Sipprell, ca. 1913. Platinum print. Scan from color transparency. | src Smithsonian American Art Museum
Allen Sipprell (1919-1998) :: Portrait of Clara E. Sipprell, ca. 1970. Gelatin silver print. | src Burchfield Penney Art Center

Clara E. Sipprell was one of America’s most important pictorial photographers of the early 20th century. Born in Canada, she moved to Buffalo, New York after her oldest brother Francis opened a photography studio. She worked part-time as an apprentice, but eventually dropped out of school to work full-time at his studio, where she learned all different types of photographic techniques. She partnered with him in 1905, and after working together for ten years and having many successful shows, she opened a studio in New York City and eventually traveled all over the world.

Clara E. Sipprell’s use of a soft-focus lens and her reliance upon entirely natural light gave her photographs an atmospheric effect and moody romanticism. She was a successful portraitist, photographing such notable people as Eleanor Roosevelt, Robert Frost, and Albert Einstein. However, she did not confine herself to that genre. Her landscapes, cityscapes, and still-life subjects were exhibited in national and international salons, galleries, and museums. There are over 1,000 photographs by Sipprell in the Amon Carter Museum collection, a gift from The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.  The (then) Burchfield Art Center presented a solo exhibition of her work in 1991.

quoted from Burchfield Penney Art Center

Toni Catany’s still-lifes

Toni Catany :: El tassó ~ The Bowl, 1979. Calotip (collotype). | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany :: Natura morta ~ Still life, 1981. Gelatinobromur de plata sobre paper baritat. | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany (1942 – 2013) :: Homenatge a Sudek, 1986. | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany :: El mantó ~ The shawl, 1979 (tiratge 1995) Calotip (Collotype). | src MNAC ~ Museu Nacional d’Art de Catalunya