Sanne Sannes :: Silhouette of a Woman Wearing a Coat, Standing Behind a Wooden Fence, ca. 1964-1967. (description: Silhouette of a woman, dressed in a jacket, standing behind a wooden fence, lifting her long hair with both hands.) Part of the photobook: Dummy of Dagboek van een erotomaan (Dummy or Diary of an Erotomaniac) | src RijksmuseumSanne Sannes :: Blurry image of a standing figure in a wide coat with arms raised, ca. 1964-1967. Part of the photobook: Dummy of Dagboek van een erotomaan (Dummy or Diary of an Erotomaniac) | src Rijksmuseum
Gerard Fieret :: Nude torso [Naakt torso], The Hague, ca. 1965. | src RijksmuseumGerard Fieret :: Sitting nude with headband and high heels, seen from behind. Two copyright stamps and a signature are part of the image. The photo is pasted in passe-partout [Naakt zittend met haarband en pumps, op de rug gezien. Twee copyright stempels en een groot signatuur maken deel uit van het beeld. De foto is in passe-partout geplakt.], 1960 – 1980. | src RijksmuseumGerard Fieret :: Studies of Women [Studies van vrouwen], The Hague, ca. 1965. | src Rijksmuseum Gerard Fieret was an eccentric poet, painter and photographer who lived in The Hague. Between 1965 and 1975 he took hundreds of photos, mainly studies of women. Later, Fieret wandered the streets, fed the pigeons each day and kept his work in the freezer. His prints are creased and the edges frayed, with the occasional trace of pigeon droppings. On each photo, he signed his name in felt-tip pen and also furnished them with copyright stamps.
Enar Merkel Rydberg :: Carina Ari som koreograf instruerar dansarna under arbetet med “De fåvitska jungfrurna” på Operan 1962. | Carina Ari as choreographer instructs the dancers during the rehearsal of Les Vierges Folles in 1962. | src DansmuseetAnna Riwkin :: Carina Ari (seen from behind reflected on the back mirror), no date (1960s). Title “Carina Ari” and “517” on verso. | src Moderna Museet
Kati Horna :: Untitled (Leonora Carrington), from Oda a la Necrofilia (Ode to Necrophilia), 1962. | src Princeton University Art MuseumKati Horna ::Untitled (Leonora Carrington), from Oda a la Necrofilia (Ode to Necrophilia), 1962. | src Princeton University Art Museum
Tazio Secchiaroli :: ‘The Feathers’ (Fellini and his photo director on the set of ‘Otto e Mezzo’), Cinecittà, Rome, 1963. | src 16th Ostlicht (WestLicht) Photo Auction