Frances Benjamin Johnston cats

Frances Benjamin Johnston’s cats, Herman and Vermin, seated on brick railing of New Orleans house, Louisiana, between 1945 and 1950. | src getty images

Feeding the pelicans 1940s

Photograph of a man with hat standing on a bench and feeding pelicans. USA, 1940s | src getty images

Sudek · through the window

**Josef Sudek** (1896-1976) ~ On the Windowsill of My Studio, 1944 | src Gitterman Gallery ~ Czech Avant-Garde 2023

**Josef Sudek** (1896-1976) ~ The Window of My Studio, 1952 | src Gitterman Gallery ~ Czech Avant-Garde 2023

Czech Avant-Garde at Gitterman Gallery ~ Nov 14 – Dec 22, 2023

Gitterman Gallery presents a selection of avant-garde Czech photography with a focus on rare vintage works by two seminal figures, František Drtikol and Josef Sudek. Each created exquisite prints that added dimension to their innovative visions.

Josef Sudek (1896-1976), after having lost his right arm in combat during World War I, devoted his life to photography. Working with a large format camera, he stayed close to home. He primarily worked in his studio in Prague, photographing intricately constructed still lifes and atmospheric views through his studio window, as well as portraits, landscapes and his city. Though Sudek chose seemingly conventional subjects, his delicate prints convey the poetic magic of the photographic medium.

**Josef Sudek** (1896-1976) ~ The Window of My Studio, 1950 | src Gitterman Gallery ~ Czech Avant-Garde 2023

**Josef Sudek** (1896-1976) ~ The Window of My Studio, ca. 1960 | src Gitterman Gallery ~ Czech Avant-Garde 2023

**Josef Sudek** (1896-1976) ~ The Last Rose of Summer [from: *The Window of My Studio*], 1956 | src Gitterman Gallery

**Josef Sudek** (1896-1976) ~ The Window of My Studio, 1940-54 | src Gitterman Gallery ~ Czech Avant-Garde 2023

Girl holding a cat · 1945

Photographe anonyme. Petite fille au chat. États Unis, 1945. Paris photo fair 2023 | src galerie lumiere des roses on IG

Helga Golze um 1940

Variety artist Helga Golze (*1924), the “Jump wonder” “Helgina” from Berlin. Gelatin silver prints. Around 1940 | src JVV

Some stamped on the reverse and / or on the recto with the photographer’s signature of S. Enkelmann (partially on Agfa Brovira photo paper) and Foto-Schreyer Berlin. (JVV)

Varieté Künstlerin Helga Golze (*1924), dem “Spring-Wunder” “Helgina” aus Berlin. Silbergelatineabzüge. Um 1940 | src Jeschke Jádi Auktionen Berlin (JVV)

Carlotta Corpron · On Light

**Carlotta Corpron ~** Light Follows Form, 1946. Gelatin Silver Print. | src PDNB Gallery ~ Denton Modernism

**Carlotta Corpron ~** Light Follows Form of Greek Head, 1946. Courtesy PDNB Gallery | src ODLP ~ l’œil de la photographie

Akesson by Sundahl · 1949

**Sune Sundahl ~** Dansbild med Birgit Åkesson, 03.01.1949. Arkitektur- och designcentrum · Ark Des / ARKM.1988-111-05485-5

**Sune Sundahl ~** Dance picture with Birgit Åkesson, January 3, 1949. Center for Architecture and Design · Ark Des / ARKM.1988-111-05485-3

The images above are part of the exhibition: «Dansen har mycket gemensamt med arkitektur» / «Dance has a lot in common with architecture» (2013)

Arkitektur- och designcentrum / Center for Architecture and Design (Ark Des)

Birgit Åkesson, foto: okänd. | src Dansmuseet • IG

Both images above this line are uncredited in source: Dansmuseet (view post in this blog : Birgit Åkesson training), but we reckon that them could belong to the same photo-session with Sune Sundahl

Birgit Akesson by Sune Sundahl

**Sune Sundahl ~** Birgit Åkesson dances in a draping dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02796

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02799

**Sune Sundahl ~** Birgit Åkesson dances in a long draped dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02795

**Sune Sundahl ~** Birgit Åkesson dances in a draping dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02800-A

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02800-B

**Sune Sundahl ~** Birgit Åkesson dances in a draped dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02801

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 but most of them undated.

«Dance has a lot in common with architecture» (2013)

Movement, rhythm, space and body in dance have much in common with architecture. Spatiality can only be experienced with the body, in movement. There are several good reasons to pay attention to the connections between the room shape and people’s movements in the rooms. Whether dancing or walking around a building, there is both flow and embodiment. Perhaps it was precisely these common denominators that made Birgit Åkesson choose the architectural photographer Sune Sundahl to document her early choreographies?

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances African dances from the south of the Sahara and the Butoh dance from Japan.

The dancer, choreographer and dance researcher Birgit Åkesson (1908-2001) taught the viewer to listen to the sound of movement in the silence. It was about holding a dialogue, where the rhythm carried the form that left invisible traces in the air. Birgit Åkesson started her dance career in the 1920s and 30s when she studied with the German-born choreographer Mary Wigman. It was from her that the Swedish dancer found the expressionist language, the free dance. Birgit Åkesson was one of the leading avant-garde artists in free dance.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02804

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02805

Akesson by Sune Sundahl

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-6

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-1

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-2

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-3

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-4

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-5

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-7

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02857

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-8

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-9

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-10

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-11

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-12

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-13

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 and most of them undated.

«Dance has a lot in common with architecture» (2013)

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances south of the Sahara in Africa and the Butoh dance from Japan.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02856

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-14

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-15

**une Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02859

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-17

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-18

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-19

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-20

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-21

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-22

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-23

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02863

**Sune Sundahl ~** Dansaren Birgit Åkesson med kollegor under matrasten. ARKM.1988-111-02954-24

Akesson by Sune Sundahl

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02858

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02855

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02798

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02860

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02794

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02797

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02802

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02803

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02861

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02862

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02865

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 and most of them undated.

«Dance has a lot in common with architecture» (2013)

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances south of the Sahara in Africa and the Butoh dance from Japan.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)