Étude de mains et sein nu, 1930s

Laure Albin Guillot (1879-1962) ~ Étude de mains et sein nu, ca. 1935. Vintage silver print, signed in the bottom by Laure Albin-Guillot, representing two clasped hands in front of a woman’s naked breast. | src Aguttes · Auction 2017
Laure Albin Guillot (1879-1962) ~ Nude study, ca. 1935
Laure Albin Guillot (1879-1962) ~ Étude de mains et sein nu, ca. 1935. Tirage argentique d’époque,sur papier vergé, signé au recto par Laure Albin-Guillot, représentant deux mains croisées devant le sein nu d’une femme. | src Aguttes · Auction 2018

Harriet Hoctor by Steichen

Edward Steichen ~ American dancer Harriet Hoctor on pointe with arms stretched, wearing all black [unpublished (?)] | src Conde Nast via getty images

Hoctor (Sept. 25, 1905 – June 9, 1977) started touring with vaudeville companies at age 16 on the same bill as the Duncan Sisters. She was asked to join their act and became a key player in their Topsy and Eva show on Broadway. She was discovered by Florenz Ziegfeld, who cast her in his production of The Three Musketeers (1928) and several other shows followed throughout the next decade.

By the time these photos were taken she was back in the States after a season at the London Hippodrome (in a production called Bow Bells). She appeared in the Vanities revue of Earl Carroll in 1932, and later in the decade in the Ziegfeld Follies, notably in a ballet arranged by Hoctor with the aid of George Balanchine titled Night Flight.

Edward Steichen ~ American dancer Harriet Hoctor standing on toe point, with arms raised above head and wearing a black costume [unpublished (?)]. | src Conde Nast via getty images
Edward Steichen ~ American dancer Harriet Hoctor on point in an arabesque, wearing a black costume and black cap. Vanity Fair, 1932 | src Conde Nast via getty images
Edward Steichen ~ Harriet Hoctor. Unpublished photograph in a black costume, en pointe, with her arms in front her, 1934 (or 1932?). Vanity Fair | src Condé-Nast store ~ Fine Art

The Time Persists (Jaromír Funke)

Jaromír Funke :: Eye, 1932. From ‘The Time persists’ series, 1932. © Miloslava Rupešová-Funková
src Howard Greenberg Gallery and »Jaromír Funke and Czech Avant-Garde Photography« at FFF
Jaromír Funke :: From ‘The Time Persists’ series (from 12 Avant-Garde Photographs portfolio), 1930-1934, printed 2014. | src Koch Gallery
Jaromír Funke :: From ‘The Time Persists’ series (from 12 Avant-Garde Photographs portfolio), 1930-1934, printed 2014. | src Koch Gallery